I’ve summarised the results below. Note – these are what I gleaned from watching along with Twitter – any mistakes are mine alone!
A couple of notes from me. Firstly, congratulations to all winners and runners up! A wonderful field this year, and a very deserving set of awards was handed out.
The podcast I do some work for, Galactic Chat, was up for Best Fan Publication in Any Medium. We didn’t win, but the entry that did (The Writer and the Critic podcast) is one of my favourite podcasts, and a thoroughly deserving winner.
I couldn’t be more thrilled for fellow podcaster Helen Stubbs, who took out the Best New Talent award. Helen is a vibrant and energetic member of the SF field and it is wonderful to see her recognised in this way.
A tie for best novel is always interesting in a voted award. I’ve just finished The Lascar’s Dagger (review here) and I’m 1/2 way through Thief’s Magic, and both a very good novels. Actually, it was a good ballot for Best Novel – I’ve read or are reading all of them and I can honestly say I’m enjoying them all.
It was great to see Kaleidoscope recognised in the Best Collection category, and seeing fiction that recognises such a broad range of diversity being voted for in an awards process. If you want to see more of that kind of thing, you could also support Defying Doomsday‘s Pozible campaign – a collection of stories featuring diverse characters who are in a post-apocalyptic setting.
And finally, it was good to see the Atheling award for criticism go to another single topic essay. While I can certainly see the value in recognising people’s broader body of review work, it would be good to see more in depth analysis on a broader range of topics coming from Australian authors. Hopefully this award will help this trend continue.
Anyway, enough from me – Ditmar results follow (winners bold and in red). Note – the list below doesn’t include the results for some of the Ditmar-adjacent awards like the A. Bertram Chandler Award (Donna Hanson) and the Norma K. Hemming Award (Paddy O’Reilly for The Wonders with honourable mention to Lisa L Hannett and Angela Statter for The Female Factory) and the Peter McNamara Achievement award (Merv Binns). I’ve probably missed some others (for instance the WA award – the Tin Ducks).
- The Lascar’s Dagger, Glenda Larke (Hachette)
- Bound (Alex Caine 1), Alan Baxter (Voyager)
- Clariel, Garth Nix (HarperCollins)
- Thief’s Magic (Millennium’s Rule 1), Trudi Canavan (Hachette Australia)
- The Godless (Children 1), Ben Peek (Tor UK)
Best Novella or Novelette
- “The Ghost of Hephaestus”, Charlotte Nash, in Phantazein (FableCroft Publishing)
- “The Legend Trap”, Sean Williams, in Kaleidoscope (Twelfth Planet Press)
- “The Darkness in Clara”, Alan Baxter, in SQ Mag 14 (IFWG Publishing Australia)
- “St Dymphna’s School for Poison Girls”, Angela Slatter, in Review of Australian Fiction, Volume 9, Issue 3 (Review of Australian Fiction)
- “The Female Factory”, Lisa L. Hannett and Angela Slatter, in The Female Factory (Twelfth Planet Press)
- “Escapement”, Stephanie Gunn, in Kisses by Clockwork (Ticonderoga Publications)
Best Short Story
- “Bahamut”, Thoraiya Dyer, in Phantazein (FableCroft Publishing)
- “Vanilla”, Dirk Flinthart, in Kaleidoscope (Twelfth Planet Press)
- “Cookie Cutter Superhero”, Tansy Rayner Roberts, in Kaleidoscope (Twelfth Planet Press)
- “The Seventh Relic”, Cat Sparks, in Phantazein (FableCroft Publishing)
- “Signature”, Faith Mudge, in Kaleidoscope (Twelfth Planet Press)
Best Collected Work
- Kaleidoscope, Alisa Krasnostein and Julia Rios (Twelfth Planet Press)
- The Year’s Best Australian Fantasy and Horror 2013, Liz Grzyb and Talie Helene (Ticonderoga Publications)
- Phantazein, Tehani Wessely (FableCroft Publishing)
- Illustrations, Kathleen Jennings, in Black-Winged Angels (Ticonderoga Publications)
- Cover art, Kathleen Jennings, of Phantazein (FableCroft Publishing)
- Illustrations, Kathleen Jennings, in The Bitterwood Bible and Other Recountings (Tartarus Press)
Best Fan Writer
- Tansy Rayner Roberts, for body of work
- Tsana Dolichva, for body of work
- Bruce Gillespie, for body of work
- Katharine Stubbs, for body of work
- Alexandra Pierce for body of work
- Grant Watson, for body of work
- Sean Wright, for body of work
Best Fan Artist
- Nalini Haynes, for body of work, including “Interstellar Park Ranger Bond, Jaime Bond”, “Gabba and Slave Lay-off: Star Wars explains Australian politics”, “The Driver”, and “Unmasked” in Dark Matter Zine
- Kathleen Jennings, for body of work, including Fakecon art and Illustration Friday series
- Nick Stathopoulos, for movie poster of It Grows!
Best Fan Publication in Any Medium
- Snapshot 2014, Tsana Dolichva, Nick Evans, Stephanie Gunn, Kathryn Linge, Elanor Matton-Johnson, David McDonald, Helen Merrick, Jason Nahrung, Ben Payne, Alex Pierce, Tansy Rayner Roberts, Helen Stubbs, Katharine Stubbs, Tehani Wessely, and Sean Wright
- It Grows!, Nick Stathopoulos
- Galactic Suburbia, Alisa Krasnostein, Alexandra Pierce, Tansy Rayner Roberts, and Andrew Finch
- The Writer and the Critic, Kirstyn McDermott and Ian Mond
- Galactic Chat, Sean Wright, Helen Stubbs, David McDonald, Alexandra Pierce, Sarah Parker, and Mark Webb
Best New Talent
- Helen Stubbs
- Shauna O’Meara
- Michelle Goldsmith
William Atheling Jr Award for Criticism or Review
- Reviews in The Angriest, Grant Watson
- The Eddings Reread series, Tehani Wessely, Jo Anderton, and Alexandra Pierce, in A Conversational Life
- Reviews in Adventures of a Bookonaut, Sean Wright
- “Does Sex Make Science Fiction Soft?”, in Uncanny Magazine 1, Tansy Rayner Roberts
- Reviews in FictionMachine, Grant Watson
- The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, and Tehani Wessely