All posts by mark

A writer of speculative fiction and all round good egg. Well, mostly good. OK, sometimes good.

The Marching Dead by Lee Battersby – review

 

The Marching Dead

The Marching Dead is the second book in the Marius don Hellespont series. I read (and very much enjoyed) the first book, The Corpse Rat King, a little while back, so was very pleased to get my teeth sunk into the sequel.

First up I have to say that the things I loved about the first book were very much present in the second. Marius was still an excellent bounder and cad, although slightly less reluctant than in the first novel. The Marching Dead had a much wider cast than the first novel, but all the characters were well drawn and engaging.

And the writing was just as captivating as I remembered from the first novel. Witty dialogue and excellent descriptive text and galloping along at a frenetic pace. The humour in this book really engaged me – dark and biting at some times, downright silly at others. In some ways I felt that this book was trying to make more serious points than the first, but it was done in such an engaging manner that I hardly noticed!

Apart from that, my comments are very similar to my review of The Corpse-Rat King, so I won’t repeat myself too much. I will say however that I liked the ending. It was not romanticised and artificially sweetened, which brought the story together for me very well.

An excellent story and well worth the price of entry. Highly recommended.

I also reviewed this book on Goodreads. View all my reviews.


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Zeroes – news

I usually leave news items to people that are better at it than me, like Sean Wright and Alex Pierce for instance. But one piece of recent Australian speculative fiction news has got me very excited, and I just had to share.

Long time readers of the blog might recall that I have a slight literary crush on the writing of Australian author Deb Biancotti, in particular her collection Bad PowerI also loved her other collection The Book of Endings. And don’t get me started on her contribution to Ishtar. I have long bemoaned the fact that she hasn’t published anything for a while, and I have been particularly interested in how she might extend her take on super powers into the novel format.

So imagine my delight when I recently read that Biancotti has co-authored a trilogy with fellow Australians Margo Lanagan and Scott Westerfeld. The announcements can be found here, here and here:

The first book is due out in September 2015, and I am all excitement. You can probably assume I will review the book.

As a side note, I was very interested to read about the writing process when three authors collaborate. Especially as it seemed to involve a significant investment of time at the local pub!

It’s available for pre-order at Amazon (but only in hardback at the moment).

Ditmars preliminary ballot – Galactic Chat!

The preliminary ballot for the Ditmars (Australian SF awards – a voted award not jury picked) has come out and I’m very pleased to say that Galactic Chat has been nominated for the Best Fan Publication in Any Medium category.

For new readers of the blog, I am a minor contributor to the Galactic Chat podcast, which aims to interview the people that make up the Australian speculative fiction scene. The podcast is led by Sean Wright (who is also nominated for a bunch of other stuff around his fan writing), and also includes contributions from Helen Stubbs, David McDonald, Alexandra Pierce and Sarah Parker.

In 2014 I conducted two interviews. The first was with Ion Newcombe, the publisher of AntipodeanSF (which recently published its 200th issue) and the second was with agent extraordinaire Alex Adsett. I am very proud of both interviews – it was great to speak with such fascinating people and I’d like to take the chance once again to thank them both for subjecting themselves to my incessant questioning!

The full Ditmar ballot can be found here, and I’ve reproduced the list below (accurate as at 14/2/2014) with links to the embarrassingly few nominated books that I’ve reviewed on this site. I’d like to give a particular shout out to Sean Wright for his well deserved nominations, fellow podcaster Helen Stubbs for her Best New Talent nomination and other fellow podcaster Alex Pierce for her many nominations!

I should also note that I was interviewed for the 2014 Snapshot, which is a very deserving entry in the Best Fan Publication in any Medium category.

Best Novel

  • The Lascar’s Dagger, Glenda Larke (Hachette)
  • Bound (Alex Caine 1), Alan Baxter (Voyager)
  • Clariel, Garth Nix (HarperCollins)
  • Thief’s Magic (Millennium’s Rule 1), Trudi Canavan (Hachette Australia)
  • The Godless (Children 1), Ben Peek (Tor UK)

Best Novella or Novelette

  • “The Ghost of Hephaestus”, Charlotte Nash, in Phantazein (FableCroft Publishing)
  • “The Legend Trap”, Sean Williams, in Kaleidoscope (Twelfth Planet Press)
  • “The Darkness in Clara”, Alan Baxter, in SQ Mag 14 (IFWG Publishing Australia)
  • “St Dymphna’s School for Poison Girls”, Angela Slatter, in Review of Australian Fiction, Volume 9, Issue 3 (Review of Australian Fiction)
  • “The Female Factory”, Lisa L. Hannett and Angela Slatter, in The Female Factory (Twelfth Planet Press)
  • “Escapement”, Stephanie Gunn, in Kisses by Clockwork (Ticonderoga Publications)

Best Short Story

  • “Bahamut”, Thoraiya Dyer, in Phantazein (FableCroft Publishing)
  • “Vanilla”, Dirk Flinthart, in Kaleidoscope (Twelfth Planet Press)
  • “Cookie Cutter Superhero”, Tansy Rayner Roberts, in Kaleidoscope (Twelfth Planet Press)
  • “The Seventh Relic”, Cat Sparks, in Phantazein (FableCroft Publishing)
  • “Signature”, Faith Mudge, in Kaleidoscope (Twelfth Planet Press)

Best Collected Work

  • Kaleidoscope, Alisa Krasnostein and Julia Rios (Twelfth Planet Press)
  • The Year’s Best Australian Fantasy and Horror 2013, Liz Grzyb and Talie Helene (Ticonderoga Publications)
  • Phantazein, Tehani Wessely (FableCroft Publishing)

Best Artwork

  • Illustrations, Kathleen Jennings, in Black-Winged Angels (Ticonderoga Publications)
  • Cover art, Kathleen Jennings, of Phantazein (FableCroft Publishing)
  • Illustrations, Kathleen Jennings, in The Bitterwood Bible and Other Recountings (Tartarus Press)

Best Fan Writer

  • Tansy Rayner Roberts, for body of work
  • Tsana Dolichva, for body of work
  • Bruce Gillespie, for body of work
  • Katharine Stubbs, for body of work
  • Alexandra Pierce for body of work
  • Grant Watson, for body of work
  • Sean Wright, for body of work

Best Fan Artist

  • Nalini Haynes, for body of work, including “Interstellar Park Ranger Bond, Jaime Bond”, “Gabba and Slave Lay-off: Star Wars explains Australian politics”, “The Driver”, and “Unmasked” in Dark Matter Zine
  • Kathleen Jennings, for body of work, including Fakecon art and Illustration Friday series
  • Nick Stathopoulos, for movie poster of It Grows!

Best Fan Publication in Any Medium

  • Snapshot 2014, Tsana Dolichva, Nick Evans, Stephanie Gunn, Kathryn Linge, Elanor Matton-Johnson, David McDonald, Helen Merrick, Jason Nahrung, Ben Payne, Alex Pierce, Tansy Rayner Roberts, Helen Stubbs, Katharine Stubbs, Tehani Wessely, and Sean Wright
  • It Grows!, Nick Stathopoulos
  • Galactic Suburbia, Alisa Krasnostein, Alexandra Pierce, Tansy Rayner Roberts, and Andrew Finch
  • The Writer and the Critic, Kirstyn McDermott and Ian Mond
  • Galactic Chat, Sean Wright, Helen Stubbs, David McDonald, Alexandra Pierce, Sarah Parker, and Mark Webb

Best New Talent

  • Helen Stubbs
  • Shauna O’Meara
  • Michelle Goldsmith

William Atheling Jr Award for Criticism or Review

  • Reviews in The Angriest, Grant Watson
  • The Eddings Reread series, Tehani Wessely, Jo Anderton, and Alexandra Pierce, in A Conversational Life
  • Reviews in Adventures of a Bookonaut, Sean Wright
  • “Does Sex Make Science Fiction Soft?”, in Uncanny Magazine 1, Tansy Rayner Roberts
  • Reviews in FictionMachine, Grant Watson
  • The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, and Tehani Wessely

Authentic Empathy now available in Antipodean SF – Issue 200!

I have a new story published and online today! Authentic Empathy is the 10th story I’ve had published at the long term online magazine AntipodeanSF, and to make it even better, it is in the bumper issue 200.

AntipodeanSF was started back in February 1998 by Ion “Nuke” Newcombe as a venue for using the new-to-most-of-us technology of the internet to bring a wider range of stories to the masses. The stories were pitched at 500 words long (flash fiction) because that’s the most Nuke felt people could read in one hit on the flickering CRT screens that were the norm at the time.

17 years later, he is publishing issue 200 and I couldn’t be prouder to be a part of it. Nuke has been excellent to me – taking the time to not only publish but edit my stories. But more than that, I’ve been astonished at what a wide array of Australian writers had early publication credits with AntipodeanSF. Nuke is a stalwart of the Australian speculative fiction scene, and if you haven’t had a chance to check out AntipodeanSF, make now the time that you introduce yourself to its bite-sized delights!

Issue 200 is a bit different from most. Rather than the 6 – 10 flash fiction pieces Nuke usually publishes, he has gone back to people who had early AntipodeanSF publishing success and asked them to provide a new story. The issue contains 22 stories from authors who owe Nuke a debt of gratitude, and as a bonus he has included (in most cases) the first story that the author had published on AntipodeanSF. In my case, that story was called Shipwrecked, which came from my wondering about why Earth may have never been visited by extraterrestrial life.

My new work, Authentic Empathy, is a short piece that was inspired by some questions I’ve always had about what would really happen if AIs were introduced to the world.

If you’re interested in hearing more about AntipodeanSF, I recently interviewed Nuke for the Galactic Chat podcast.

So, go get my story here and if you’re interested in seeing more of my flash fiction, see my bibliography page or my self-published collection of the flash fiction (A Flash in the Pan?)that has previously been published at AntipodeanSF.

(I should note that for the last couple of years I have been producing the simple eBook editions of AntipodeanSF, so when you combine that work with the fact that Nuke has published my work, you can see that I’m a little biased!)

Horizon by Keith Stevenson – review

 

Horizon

 

Horizon is the debut novel of author Keith Stevenson. Stevenson has been active in the Australian speculative fiction scene as a publisher through his small press Coeur de Lion Publishing, which has developed a reputation for publishing some excellent fiction (the anthology X6, for instance, collected a swag of awards). He has had several short stories published, but Horizon is his first novel length work. It has been published by HarperVoyager digital imprint Impulse.

(Disclaimer – I act as an affiliate for Stevenson’s free fiction magazine  Dimension6. I don’t think it’s impacted this review, but who knows? I don’t pretend to understand my own subconscious enough to be sure.) 

The story centres on humanity’s first interstellar trip to explore an Earth-like planet, Horizon. Stevenson uses a range of plausible technologies to describe the means by which the journey is possible. It’s clear that he has thought a lot about the implications of interstellar travel with our current level of technology, including the impacts of relativity.

The crew has been in a form of artificially induced hibernation for the journey, and while they have only aged a little, half a century has gone by on Earth. The changed geo-political status on Earth has a profound impact on the parameters of their mission.

While there is a heavy emphasis on technical verisimilitude, at its heart Horizon is a character driven story. There is mystery (the novel starts with the mysterious death of the mission’s second in command), interpersonal tensions as the political situation on Earth changes relationships on the ship and some big ideas relating to our obligations to maintain an alien biosphere versus obligations to an Earth that is a materially different place to the one you left.

I enjoyed the writing, with clear and engaging prose which kept the story rocketing along. The use of a “who-dun-it” plot line was a great way to balance the other aspects of the book – without it, it would have been possible that some of the other themes (e.g. climate change) might have got a little preachy. Stevenson does a great job balancing these aspects of the story to make it accessible and keeping the reader engaged with the story.

I must admit that I did wonder at times how this crew was selected. There is a lot of interpersonal drama (very necessary for the story), but at times I did begin to question the competence of whatever psychologists signed off on this particular group of people to go into deep space together! The out of balance nature of the relationships can be somewhat explained by the deaths that happen and a last minute, politically motivated addition to the crew. But with billions of people on the planet, there weren’t people equally competent who were also a bit more psychologically stable?

Minor quibble aside, this was an excellent book that I enjoyed reading very much. There isn’t a lot of pure Australian science fiction, and Horizon does a lot to redress the balance.

Highly recommended.

A year and a half ago, I interviewed Stevenson for the Galactic Chat podcast. The interview is well before the publication of Horizon, but if you’re interested in the man behind the book, it contains some interesting insights. You can find the podcast here.

I also reviewed this book on Goodreads. View all my reviews.


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Australian Women Writers Challenge 2014 – wrap up

awwbadge_2014

Well, another year another Australian Women Writers challenge. In 2014 I read 10 books by Australian women and reviewed all 10. The reviews can be found here in all, and individually:

  1. The Ambassador’s Mission by Trudi Canavan
  2. The Rogue by Trudi Canavan
  3. The Traitor Queen by Trudi Canavan
  4. Winter Be My Shield by Jo Spurrier
  5. Black Sun Light My Way by Jo Spurrier
  6. North Star Guide Me Home by Jo Spurrier
  7. Secret Lives by Rosaleen Love
  8. Musketeer Space by Tansy Rayner Roberts
  9. Kaleidoscope edited by Alisa Krasnostein and Julia Rios
  10. The Female Factory by Lisa L Hannett and Angela Slatter

In previous years I found it relatively easy to complete the challenge, whereas this year I was reading right up until Christmas, and had to post the last 6 reviews into January. I’ve been reflecting on why I had more trouble this year with the challenge.

First up, it can’t be denied that I don’t actually get time to read very many books in a year. 10 books actually represents a not insignificant percentage of my total reading for the year.

Secondly, due to my work and home schedule, I did find myself diving into some less challenging “comfort reading” of series that didn’t tax my brain too much. This included reading a set of Star Wars novels and revisiting one of my reading loves of my teenage years, the Wild Card series. While these novels had a mixture of female and male authors, none of them were by Australians. This took out a fair chunk of my reading time between about July and October in 2014 – and didn’t help me contribute to the challenge at all.

But when I strip out these “time poor” excuses, I also noted another trend. Over the last couple of years I have been reading more women (and Australian women) authors. However, I’ve continued to buy books by a mixture of men and women, but just not reading a lot of the books by men. As a result, my “to be read” shelf has become weighted towards male authors. So when I started to feel guilty about the to-be-read shelf and decided to try and reduce it a bit before buying more books, I found myself reading mostly male authors. This seemed to hit a bit of a critical mass during 2014. Something to keep an eye on in the future.

What else have I noted about my 2014 reading? Six of my ten novels were made up of two trilogies. Reviewing books in trilogies so close to each other was challenging – my reviews felt repetitive to me and I found myself without many interesting things to say.

I also cheated a bit in this years challenge. One of my reviews was of a work in progress by Tansy Rayner Roberts, who is releasing Musketeer Space as a serialised novel. So the book isn’t actually finished yet. I also reviewed Kaleidoscope, which is an anthology made up of many writers, only a few of which were Australian. However it was co-edited and published by an Australian woman, so I decided to stretch the definition a little.

In both cases, including the reviews was partly to help me hit the target, but was also because each endeavour represented something innovative and a bit different creatively, showing Australian women at the cutting edge of what the speculative fiction scene is doing at the moment. I’ll leave it to others to judge whether those reviews were “really” part of the AWW challenge – I’m still claiming a challenge “win”!

I also realised that I’ve leaned pretty heavily on the Twelve Planets series published out of Twelfth Planet Press, and that The Female Factory (my last review of the year) was book 11 of a 12 book series (although I believe a “13th planet” may have been added to the lineup). So, I’ll have to look a bit further afield in 2015!

Once again, the AWW challenge has pushed me to seek out and read more books by Australian women. I’m definitely signing up for the 2015 challenge – and if you’re reading this, you should too!

The Female Factory by Lisa L Hannett and Angela Slatter – review

This review forms part of my contribution to the Australian Women Writers 2014 Reading Challenge. All my 2014 AWWC reviews can be found here.



The Female Factory

The Female Factory by Angela Slatter and Lisa L Hannett is the 11th book in the Twelve Planets series by Twelfth Planet Press. The series aims to showcase Australian women writing speculative fiction and has produced some stellar, award winning work over the last 3 years.

Hannett and Slatter have collaborated before, most notably in the collection Midnight and Moonshine. The Female Factory has the polish of a well practiced collaboration, where the voice of the stories is smooth and doesn’t show any seams between the two story teller’s work.

The collection is made up of four stories:

  • Vox - where the souls of children that are never born are used to give voice to electronic devices.
  • Baggage – in a world where the very rich are willing to pay big money for a baby, Robyn’s ability to undertake multiple, simultaneous pregnancies should be an asset.
  • All the Other Revivals – a haunting story where people born in the wrong body can make a change in the waters of the local billabong.
  • The Female Factory – we all know about genetic engineering and the possibility of designer babies. But what about designer mothers?

In most of the stories the collection puts a strong emphasis on fertility, and the mother-child relationship. It provides perspectives that I found fresh and very engaging. It is a mature treatment of topics that are often glossed over or ignored completely.

The writing is very sophisticated, and the authors are able to draw the reader into the protagonist’s world view effortlessly, portraying them very sympathetically while still showing the warts and all. The language is deceptively simple, while still creating imagery and atmosphere that I found compelling.

Another excellent addition to the Twelve Planets series, and one I have no hesitation in recommending.

Regular readers will know that I am an occasional contributor to the Galactic Chat podcast. Back in September 2014, one of the authors, Angela Slatter, was interviewed for the podcast. The interview was conducted by Alex Pierce, and contains some very interesting insights. You can find it here. And if that isn’t enough, Sean Wright also interviewed Lisa L. Hannett for Galactic Chat just before Christmas 2014 (the interview can be found here).

I also reviewed this book on Goodreads. View all my Goodreads reviews.


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Kaleidoscope edited by Alisa Krasnostein and Julia Rios – review

This review forms part of my contribution to the Australian Women Writers 2014 Reading Challenge. All my 2014 AWWC reviews can be found here.



Kaleidoscope

OK, I’m cheating a little bit here. I’ve decided to review a collection of short stories that are not all by Australian women for the Australian Women Writers Challenge 2014. Indeed, they are mostly not by Australian women. But wait, before you throw your monitor at the wall in disgust and walk out I have reasons.

  1. It is from an Australian small press that is run by a woman (Alisa Krasnostein).
  2. It has stories by three Australian women (Tansy Rayner Roberts, Faith Mudge, Holly Kench) and one New Zealander (Karen Healy), which is almost Australian.
  3. One of the editors is an Australian woman. OK, it’s the same woman as in 1. above, but in a completely different role. Editor versus publisher. Come on, it still counts as a third reason.

So, if you’re still not buying what I’m selling, then you should stop reading the review here. But you’ll be sooorrrryyyyy!

Kaleidoscope was a crowd funded anthology that sought out YA speculative fiction that was written by a diverse range of writers and featured diverse characters (e.g. people with a disability, mental illness, suffering marginalisation because of race or religion or sexual orientation etc). However the mandate of the book was very clear – while characters needed to have a diverse background, they were not to be defined by their background. I particularly liked the requirement that characters were not to be “cured” of their diversity. Kaleidoscope is a mature treatment of the issues of diversity in the speculative fiction scene, and for that alone I’m hoping it is a sign of much more diverse fiction to come.

(As a side note, and because I’ve justified this review in part by pointing at an Australian small press run by an Australian woman, I might insert a plug here for Twelfth Planet Press. TPP has been supporting Australian women authors and championing this kind of diversity for quite a few years. Alisa Krasnostein, the owner of the press, is also one of the voices on Galactic Suburbia – a must-listen podcast for anyone interested in advancing the conversation on gender equity in the speculative fiction scene. If you haven’t already, go and check out their offerings, in particular the Twelve Planets series which has showcased some fantastic Australian women writers over the last few years. I’ve reviewed all the Twelve Planets books so far for the AWW challenge (including most recently Secret Lives by Rosaleen Love) – if you have even the slightest interest in understanding what is happening in the Australian speculative fiction field, you need to read these books!)

I won’t talk about all the stories, but as this is a AWW review I will briefly mention the stories by Australian women.

Cookie Cutter Superhero by Tansy Rayner Roberts opens the collection. The story is set in a world where superhero producing machines have appeared in  major centres around the world and people are selected at random to do a stint as a superhero. It tells the story of Joey, a young woman with a physical disability who has “won the lottery”. It is a funny, and not very below the surface, dig at the comic book industry, well written with Roberts’ trademark snarky style. Very nice opening to the book.

Signature by Faith Mudge was one of my favourite stories in the book, which focuses on the dangers of entering into a deal with Fate. Well written and characters that were well fleshed out, especially considering how little space there was to do it.

Holly Kench’s Every Little Thing gives a few twists on the trickiness of love spells. I enjoy Kench’s writing style, and this story was well constructed and a delight to read.

And for completeness, I will mention that I also enjoyed New Zealand’s Karen Healy story Careful Magic, which focuses on the perils of being a bastion of order in a chaotic world. Healy’s story hinted at a much bigger world, and left me with the desire to read other stories set in the same world.

There are also stories by Australian male writers Garth Nix, Dirk Flinthart and Sean Williams, as well as an array of international authors including Ken Liu, Sofia Samata, Jim Hines and John Chu.

As long term readers of the blog know, YA is not my favourite genre to read. I don’t mind young protagonists as such, but as I complete my transformation into a cranky old man I find myself less and less engaged by some of the themes that seem to resonate with teenagers. I also find the more restricted use of language (i.e. slightly simplified and “cleaned up”) creates more of a distance in the work. Some of the stories in Kaleidoscope suffered from this for me – the writing was excellent, but I found myself unable to “get into” the stories.

That minor (and particular to me) quibble aside, this is an excellent anthology and I commend it strongly to you. If you have ever despaired at the lack of variety in who is represented in speculative fiction, this is the book for you. If you love YA oriented speculative fiction, this is for you. Highly recommended.

I also reviewed this book on Goodreads. View all my reviews.


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Musketeer Space by Tansy Rayner Roberts – review

This review forms part of my contribution to the Australian Women Writers 2014 Reading Challenge. All my 2014 AWWC reviews can be found here.



Musketeer Space

OK, more cheating. I’ve selected Musketeer Space by Tansy Rayner Roberts for my next review and the book isn’t even finished yet. “Why?” I hear you ask. “How? Isn’t your cheating just getting super blatant now?”

All valid questions, but stick with me people. Have I ever steered you wrong?

Musketeer Space is the latest endeavour by Tasmanian based speculative fiction author Tansy Rayner Roberts. It is a gender swapped retelling of The Three Musketeers, in a space opera setting. In an interesting twist though, Roberts is writing the book in serialised form. She is releasing a chapter each week on her website, and has invited patronage through the Patreon system, where interested subscribers can pay to support her writing efforts. There are also a variety of perks depending on the level of subscription that you enter into (including an eBook of the whole novel once completed).

So a book you can read for free, but if you want to tip some money in you can also consider (and call) yourself a patron of the arts. What’s not to like?

At the time of writing, Musketeer Space is at chapter 33 and a little over half way through the story. One of the reasons I wanted to review it at this point was to signal boost an endeavour which is interesting both creatively and from a business standpoint. I’m fascinated with how people are experimenting with new forms of publishing in the internet age, and this is a great case study to follow.

A note on the Patreon model. It very much is a patronage relationship you’re entering into. For an effort like this that goes for at least 12 months, even at the lowest contribution of $1 per month you would be over-paying for an eBook if that was your only goal (I don’t know how much Roberts will charge for the eBook at the end of the process, but I very much doubt it will be $12). So unlike something like a Kickstarter campaign, you are not “pre-purchasing” the final product. You are making a conscious decision to support an author create a work that wouldn’t other exist – very much like patrons of a bygone age, just distributed through the power of technology.

To the story itself. The prose is characterised by Roberts’ sly wit, and filled with feisty, brave and competent characters. It has been very interesting to watch Roberts adapt the original storyline, and the choices she has made to accommodate both the new setting and new genders. The Three Musketeers was originally a serialised novel as well, and the parallels have been interesting to watch there too.

There is a lot of humour in the book, and if you enjoyed any of Roberts’ other books (e.g. The Creature Court trilogy) you’ll love Musketeer Space.

The pacing is excellent, especially considering the need to stick to the overall structure of the original text. Roberts balances action with emotion in the stories, and has created some very well rounded characters that it is very easy to care about.

As a part of meeting one of the targets of her Patreon campaign, Roberts has recently (as of Christmas 2014) released a novella length Christmas themed prequel to Musketeer Space called Seven Days of Joyeux. I haven’t read it yet, but extra content is just another reason to get on board this Musketeer road train!

In summary, this is a great book that is supported by an innovative funding mechanism. I’d highly recommend that you all go directly to the Patreon page and throw your support behind an Australian author doing interesting things in this brave new age of the internet.

I also reviewed this book on Goodreads (although a cut down version of this review without the Patreon discussion). View all my Goodreads reviews.


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Secret Lives by Rosaleen Love – review

This review forms part of my contribution to the Australian Women Writers 2014 Reading Challenge. All my 2014 AWWC reviews can be found here.


Secret Lives

Secret Lives by Rosaleen Love is the 10th book in the Twelve Planets series from Twelfth Planet Press. It is a very quick read, coming in at 80 pages.

Now what did I think of the collection? In summary: beautifully written, surreal verging on absurdist, punchy, insightful and satisfying.

I’ve debated how much to write in this review, as I’m almost certain that my attempts to describe the stories will represent their magic poorly and may even put you off reading the collection. With that in mind, I’ve tried to briefly capture the flavour of each story below. Hopefully you’ll get a sense of the madcap and slightly bizarre nature of the collection (in a very good way).

The collection is made up of five stories:

  • Secret Lives of Books – a recently deceased man comes to terms with his sentient and increasingly militant library
  • Kiddofspeed – a woman bike rides around Chernobyl… or does she? And does it really matter where she did or not? With the help of the Internet.
  • Qasida – where do lost things go? To Mars of course. A story of a lost love with appropriate flashbacks to the British Empire’s flirtation with the colonisation of Mars.
  • The Kairos Moment – tells the tale of the search for that moment of pure musical rapture in the name of academic research, and then considers the potential military applications.
  • The slut and the universe – a family discussion between three generations of women, and the inevitable cross-generation misunderstandings, becomes a therapy session of sorts for Gaia.

I’m hard pressed to pick a favourite, but if forced to I’d probably lean towards The Kairos Moment. The sheer fun of the describing the attempts to capture a moment of musical departure was hilarious. In fact, hilarious is a word I’d use often in a longer review of this work. There are some serious themes explored in this book – feminism, relationships, colonial ambitions etc. But it is delivered with such a strong thread of humour that I spent the entire read being delighted by various turns of phrase, and only really considered the implications of the stories once I’d finished.

The writing of this collection is superb. The language dances from sentence to sentence, and concept to concept. The stories are only loosely plotted, but that hardly seems to matter. While the ideas get more and more outlandish, the prose stays clean and pragmatic, which only adds to the deliberate dissonance of the read.

I enjoyed this book very much, but to describe it further has diminishing returns. It won’t take long to read. Go and buy it. Now.

I also reviewed this book on Goodreads. View all my reviews.


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