Nuke encourages authors to narrate their own stories, so you get to hear my dulcet tones. I’ll leave it to you, dear reader, to decide whether that is a good thing.
It cannot be denied that “Narration Blues” is a silly story. I was listening to the voice over at the start of a fantasy television series, and I thought to myself “gee this is a lot of backstory – lucky they got the right person”. What if the hero died? Didn’t quite finish the quest? Gave up to become a carrot farmer? All that wasted destiny…
“Narration Blues” is the result.
As always, many thanks to Ion “Nuke” Newcombe, the editor of AntipodeanSF, for his support of my work. This is the 11th flash fiction piece that Nuke has published of mine, for which I am very grateful.
The ballot is filled with some wonderful people, and my warmest congratulations go to everyone who received a nomination. I especially wanted to note that a story published in AntipodeanSF (which has published many of my flash fiction pieces) made the ballot for Best Short Story. Congratulations Edwina (author) and Nuke (editor)!
I also noted that Dimension6, the free magazine published by Keith Stevenson, published 2 of the novella/novelette nominations – a fantastic effort showing Keith’s excellent eye for talent.
- The Grief Hole, Kaaron Warren, IFWG Publishing Australia.
- The Lyre Thief, Jennifer Fallon, HarperCollins.
- Squid’s Grief, D.K. Mok, D.K. Mok.
- Vigil, Angela Slatter, Jo Fletcher Books.
- The Wizardry of Jewish Women, Gillian Polack, Satalyte Publishing.
Best Novella or Novelette
- “All the Colours of the Tomato”, Simon Petrie, in Dimension6 9.
- “By the Laws of Crab and Woman”, Jason Fischer, in Review of Australian Fiction, Vol 17, Issue 6.
- “Did We Break the End of the World?”, Tansy Rayner Roberts, in Defying Doomsday, Twelfth Planet Press.
- “Finnegan’s Field”, Angela Slatter, in Tor.com.
- “Glass Slipper Scandal”, Tansy Rayner Roberts, in Sheep Might Fly.
- “Going Viral”, Thoraiya Dyer, in Dimension6 8.
Best Short Story
- “Flame Trees”, T.R. Napper, in Asimov’s Science Fiction, April/May 2016.
- “No Fat Chicks”, Cat Sparks, in In Your Face, FableCroft Publishing.
- “There’s No Place Like Home”, Edwina Harvey, in AntipodeanSF 221.
Best Collected Work
- Crow Shine by Alan Baxter, Ticonderoga Publications.
- Defying Doomsday, Tsana Dolichva and Holly Kench, Twelfth Planet Press.
- Dreaming in the Dark, Jack Dann, PS Publishing.
- In Your Face, Tehani Wessely, FableCroft Publishing.
- cover and internal artwork, Adam Browne, for The Tame Animals of Saturn, Peggy Bright Books.
- illustration, Shauna O’Meara, for Lackington’s 12.
Best Fan Publication in Any Medium
- 2016 Australian SF Snapshot, Greg Chapman, Tehani Croft, Tsana Dolichva, Marisol Dunham, Elizabeth Fitzgerald, Stephanie Gunn, Ju Landéesse, David McDonald, Belle McQuattie, Matthew Morrison, Alex Pierce, Rivqa Rafael, Tansy Rayner Roberts, Helen Stubbs, Katharine Stubbs and Matthew Summers.
- The Coode Street Podcast, Jonathan Strahan and Gary K. Wolfe
- Earl Grey Editing Services (blog), Elizabeth Fitzgerald.
- Galactic Chat, Alexandra Pierce, David McDonald, Sarah Parker, Helen Stubbs, Mark Webb, and Sean Wright.
- Galactic Suburbia, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts.
- The Writer and the Critic, Kirstyn McDermott and Ian Mond.
Best Fan Writer
- James ‘Jocko’ Allen, for body of work.
- Aidan Doyle, for body of work.
- Bruce Gillespie, for body of work.
- Foz Meadows, for body of work.
- Tansy Rayner Roberts, for body of work.
Best Fan Artist
- Kathleen Jennings, for body of work, including Illustration Friday series.
Best New Talent
- T R Napper
- Marlee Jane Ward
William Atheling Jr Award for Criticism or Review
- Kat Clay for essays and reviews in Weird Fiction Review
- Tehani Croft & Marisol Dunham, for Revisiting Pern: the great McCaffrey reread review series.
- Tsana Dolichva, for reviews, in Tsana’s Reads and Reviews.
- Kate Forsyth, for The Rebirth of Rapunzel: a mythic biography of the maiden in the tower, FableCroft Publishing.
- Alexandra Pierce, for reviews, in Randomly Yours, Alex.
- Gillian Polack, for History and Fiction: Writers, their Research, Worlds and Stories, Peter Lang.
‘Narration Blues’ will feature in issue 226 of Antipodean SF, due out in May 2017.
This will be the 11th flash fiction piece I’ve published in Antipodean SF, and I remain very grateful that Nuke has been such a big supporter of my work.
I’ve had ten or so flash fiction pieces published at AntiSF over the years, and I’m not the only Australian writer to get early publication credits with Ion. I’m always amazed to look back and see how many of my favourite Australian speculative fiction authors got their start with AntiSF.
There have been 212 issues of AntiSF since 1998, each issues publishing between 6 and 10 flash fiction pieces of around 500 words (sometimes longer, sometimes shorter). By my calculations, averaging 8 stories at 500 words for 212 issues equals approximately 850,000 words of flash fiction, a large portion of which has been from Australians.
Ion is very generous with his time, and considering he is not making any money out of the publication, he gives a very generous amount of editorial feedback to his authors. He cares deeply about the Australian SF field and is well worth a chat if you ever see this man at the bar at a convention somewhere.
So, if you fancy writing a short piece, you could do a lot worse than submitting to Antipodean SF. Who knows, you could be the next great talent that Nuke discovers!
This website was a victim of my malaise – I haven’t written an article for a few months now. It has been a combination of a lack of time and not feeling like I’ve had much to say. A poor excuse, granted.
On the writing front, I only published one short story in 2015, Authentic Empathy which was published in the special 200th edition of AntipodeanSF earlier in the year. It was a great privilege to be selected for the magazine (and if you’re interested in looking at the story, check out my bibliography). The rest of the year I spent skipping between a few longer works, including refining the draft of my urban science fantasy novel (Unaligned), and building out a fantasy long story into a novella length work. Both require a lot more work, but it was good to make some progress.
I also wrote the start of a science fiction novel (about 10,000 words) as well as a couple of chapters of a middle grade novel, as well as the opening scenes for the sequel to Unaligned. From this you can probably tell that I’ve spread myself a bit thin over too many projects, rather than finishing a smaller number. There is probably a lesson in that.
I also accumulated a backlog of reviews I haven’t written, especially for the Australian Women Writers’ Reading Challenge. I reviewed 4 books (reviews can be found here) by Australian women authors and read another 3, but didn’t hit my goal of ten in total. This certainly reflected my much reduced reading for the year, but I’m disappointed nonetheless.
On the podcast front, I contributed exactly nothing to the GalacticChat podcast this year. Stupidly, I should have thought about setting up some interviews when I was at GenreCon in Brisbane – fellow podcaster Helen Stubbs and I both attended and there was such a wide variety of authors and other interesting industry types, good interviews couldn’t have helped but follow. Ah well, lesson learnt for next time.
So, what is in store for 2016? GenreCon in November and a few weeks off work over Christmas has renewed my appetite for writing, which has been great. I’ve been transcribing a lot of my longhand writing from the year onto the computer over the last few weeks which has been surprisingly validating (I wrote more words last year than I thought!). I’d like to get the first draft of Unaligned into fighting shape and finish off the fantasy novella. I seem to do better at writing first drafts than the editing process, so I will punctuate the editing with working on a couple of short story ideas (I think having some short stories published does help me keep a sense of momentum).
For this website, I’ve decided to work towards publishing one article each Sunday night, to create some sense of regularity. I will publish any news about publishing of my work separately, so the Sunday night article will be either a review, a general musing or something that has caught my attention. This probably means finding some kind of project to help create content – I’ll add that to my to-do list.
Hopefully this will also mean that my reviewing for the Australian Women Writers’ Reading Challenge will be a little more prompt!
I’ve been contributing to AntipodeanSF behind the scenes, producing the eBook versions of the magazines each month. I’ll continue doing that, and will look at how I might improve my contributions in the podcasting space, depending on what happens with Galactic Chat.
That should be enough to keep me going.
Given my long absence from this website, I doubt I have any readers left, but if there are any of you out there, what are your 2016 writing resolutions?
I think it is fantastic that Nuke, the editor, provides so many channels for stories to be discovered. The website, the eBooks and the audio together provide a powerful delivery mechanism for everyone’s work. It is a pleasure to publish with him.
More details about all my publications can be found on my bibliography.
AntipodeanSF was started back in February 1998 by Ion “Nuke” Newcombe as a venue for using the new-to-most-of-us technology of the internet to bring a wider range of stories to the masses. The stories were pitched at 500 words long (flash fiction) because that’s the most Nuke felt people could read in one hit on the flickering CRT screens that were the norm at the time.
17 years later, he is publishing issue 200 and I couldn’t be prouder to be a part of it. Nuke has been excellent to me – taking the time to not only publish but edit my stories. But more than that, I’ve been astonished at what a wide array of Australian writers had early publication credits with AntipodeanSF. Nuke is a stalwart of the Australian speculative fiction scene, and if you haven’t had a chance to check out AntipodeanSF, make now the time that you introduce yourself to its bite-sized delights!
Issue 200 is a bit different from most. Rather than the 6 – 10 flash fiction pieces Nuke usually publishes, he has gone back to people who had early AntipodeanSF publishing success and asked them to provide a new story. The issue contains 22 stories from authors who owe Nuke a debt of gratitude, and as a bonus he has included (in most cases) the first story that the author had published on AntipodeanSF. In my case, that story was called Shipwrecked, which came from my wondering about why Earth may have never been visited by extraterrestrial life.
My new work, Authentic Empathy, is a short piece that was inspired by some questions I’ve always had about what would really happen if AIs were introduced to the world.
If you’re interested in hearing more about AntipodeanSF, I recently interviewed Nuke for the Galactic Chat podcast.
So, go get my story here and if you’re interested in seeing more of my flash fiction, see my bibliography page or my self-published collection of the flash fiction (A Flash in the Pan?)that has previously been published at AntipodeanSF.
(I should note that for the last couple of years I have been producing the simple eBook editions of AntipodeanSF, so when you combine that work with the fact that Nuke has published my work, you can see that I’m a little biased!)
I ticked those boxes. My first ever publication was a story called Shipwrecked which was published in issue 163 back in January 2012.
Given that I met the criteria, I put in a submission and was very pleased when Nuke accepted my submission for the flash fiction piece Authentic Empathy. Authentic Empathy will be my 10th story published in Antipodean, and I remain very grateful to Nuke for all the support he has given my work over the last couple of years.
In September 2014 Antipodean is at issue 195, so issue 200 won’t come around until next February. I’ll be very interested to see what else Nuke does for the anniversary.
A full list of my published stories can be found on my bibliography page.
You can also read it on the ePub or mobi version of issue 185 available at the e-Reader page of the Antipodean SF website.
I originally wrote this very short story for an online competition, but submitted it to Antipodean SF when I inexplicably failed to win. I hope you enjoy.