Needed – Beta Readers!

Recently, I’ve been working on a novella titled The Reclaimers. It is a fantasy, sitting at about 26,000 words. I’ve reached the stage where I’d like to recruit a couple of beta readers.

What I’m looking for is a couple of people who’d like to read some or all of the novella, and provide some feedback. It could involve anything from just reading the first couple of chapters and giving me a sense of whether you would read on (and why), through to reading the whole thing and providing some detailed comments.

I’m open to a range of readers. Don’t worry if you’re not a writer and don’t feel like you could provide “expert” advice. While detailed, expert feedback is very valuable, so is getting feedback from a reader who can just say whether something is working for them or not, even if you can’t pinpoint exactly why.

A few broad points about the novella to help you decide whether to volunteer:

  • It is a secondary world fantasy – no Earth historical settings!
  • There is a female protagonist and references to her having a same-sex romance in her past. Not being female and not having had a same-sex romance in my past, I would love to get a perspective on the main character and how authentic she feels from someone with more credibility than me.
  • There is violence. And swearing. It’s not quite grimdark (the violence isn’t graphic enough for that), but it certainly leans in that direction. If that’s not your cup of tea, then hold back!

If you’re interested, please email me directly at: mark (at) markwebb (dot) name or leave a comment below.

Publication – Narration Blues

Some excellent news over the summer, when Ion ‘Nuke’ Newcombe, the editor of Antipodean SF, picked up one of my flash fiction pieces, called ‘Narration Blues’.

‘Narration Blues’ will feature in issue 226 of Antipodean SF, due out in May 2017.

This will be the 11th flash fiction piece I’ve published in Antipodean SF, and I remain very grateful that Nuke has been such a big supporter of my work.

Welcome to 2017

Hi all,

After a long hiatus, I’m firing up the blog again. I’ve been thinking about what kind of content might be of interest, and will be making a few changes that I’ll roll out over the next few weeks.

I hope your end of year holiday period was happy, safe, productive and fun.

That’s all for today – more to come soon.

Monthly roundup culture consumed – October 2016

I’m a bit late with my October roundup – many apologies.

Books

I finished the first book in Tansy Rayner Robert’s Mocklore series, Splashdance Silver – more detailed review to come for the Australian Women Writers reading challenge.

For anyone who has read and enjoyed Brandon Sanderson’s Mistborn series, the latest book (Mistborn: A Secret History) is a fun read. No point reading this book by itself – it only really makes sense if you’ve read the other books (or at least the first trilogy). If you’re a fan of the other books, you’ll like this one. It runs parallel to the original trilogy, fills in a  few blanks and brings back a favourite character. However, I must admit it has been quite a while since I read the original story and I spent half of this book trying to remember how it all fit together.

And finally I started on Revenger by Alistair Reynolds – more to say next month once I’ve finished.

TV

I finished Luke Cage on Netflix – an excellent series. It was very refreshing to watch a show that deals with themes of masculinity, but does it in a way that is respectful to women. I loved the nods to the seventies as well – even though it is set in the modern day, it had a 70s aesthetic which was cool. I kept expecting the theme song from Shaft to kick in. It was also good to see Rosario Dawson playing a larger role in this series. Clearly she’s going to be the person that pulls the heroes from Daredevil, Jessica Jones, Luke Cage and Iron Fist together, but she had a much bigger role in this series.

I just realised that The Expanse is also on Netflix. I’ll definitely be watching that one, the special effects and general look of it is amazing. Really liked the books, and keen to see a solar system sci fi series.

Movies

Got away to a movie in October – went to see Marvel’s Dr Strange. In some ways a very different Marvel Cinematic Universe movie, in other ways a lot of the same formula. I liked the way they brought magic in, some of the scenes were very trippy (a bit like Inception with buildings twisting and gravity going all weird). Enough humour to keep me interested as well.

Other

A lot of family and work related activity in October, so not much more from me.

So, what have you been up to?

In which roundups, pleasing publication news and awards are contemplated

Hi all, I hope this blog post finds you well.

Aurora Australis is Alex Pierce’s monthly round up of Australian and New Zealand speculative fiction news, in particular focusing on publishing news, published at Tor.com. The September edition is out now, and well worth checking out if you like keeping up on the goings on of the Australian scene. While there are a few names I know listed this month, it is always pleasing to see a lot of names I don’t know – says good things about the health of the antipodean scene. Special shout out and congratulations to Zena Shapter for the announcement that her novel, Towards White, has been picked up  by the discerning people at IFWG Publishing Australia (Zena and I occasionally attend the same writing group, and I always get a kick out of seeing good news about people I have taken tea with!). Cat Sparks is also listed, as having released the cover of her new novel to the world.

Speaking of people it is a pleasure to take tea with, the very excellent Thoraiya Dyer’s upcoming novel, Crossroads of Canopy (book one in the Titan’s Forest trilogy), is now available for pre-order at Amazon (and other fine book retailers I’m sure). I’ve put my preorder in, and going off the quality of Thoraiya’s previous work, I’m very much looking forward to this as a post Christmas read (due out at the end of January 2017).

A reminder that submissions for the Aurealis Awards are open (and closing 7 December 2016), for works published in 2016. The Aurealis Awards are an Australian award which are judged by a panel (as opposed to the Ditmars, which are a popular vote). The awards are very prestigious in Australian circles, and there is a positively plethorific phalanx of 2016 judges lined up for the various categories, including the very excellent Rivqa Rafael, Robert Hood, Kirstyn McDermott and Ion Newcombe.

Tansy Rayner Roberts has been cleaning up her Patreon space, with new reward levels and goals. Roberts is one of the more innovative authors doing the rounds at the moment, and I’ve never regretted throwing my small amount of monthly support in her general direction. Well worth checking out.

The Coode St Podcast has had a run of really interesting interviews over the last few weeks, including Kelly Robson, Alastair Reynolds and Connie Willis, some of which were sourced at the recent world SF convention. The podcast is worth checking out if you’re interested in the history of the field and how it influences current writers.

I’ll publish the final part of my short story “Showdown” next week. What will I do after that? It’s easy to resist giving hints when I don’t know myself… In the meantime, feel free to catch up on parts 1, 2, 3 and 4!

Dimension6 – Issue 8 out now

Keith Stevenson over at coeur de lion publishing produces a regular magazine of Australian speculative fiction, called Dimension6 (you probably worked that out from the title of the post, clever reader that you are).

Dimension6 is shaping up to be an excellent barometer of the state of the Australian scene, and what’s more its free (can’t argue with that). You can download the latest issue directly from the coeur de lion website or get it here (this website acts as an official affiliate for the magazine).

This issue  contains a story ‘Going Viral’ by Thoraiya Dyer. Thoraiya always writes a good story, and ‘Going Viral’ is no different. But I’d draw your attention particularly to her short post-story discussion on the potential of Indonesian based science fiction, which I found very interesting.

Updated fiction collection – A Flash in the Pan?

Over the last couple of years, I’ve been maintaining a collection of my flash fiction called A Flash in the Pan?. Generally this collection has been my flash fiction pieces that have been published in Antipodean SF. It is a self published book, primarily to keep all my short fiction in the one spot.

I first published the book in 2012, and did an update in 2014 with a few extra flash fiction pieces. Well, I’ve updated it again to include a couple of extra stories that were published in 2014 and 2015.

I’ve included “Authentic Empathy”, which was my flash fiction story for the 200th edition of Antipodean SF, “Wefting the Warp”, an approximately 4,000 word science fiction short story, and “Showdown”, an approx. 5,000 word fantasy featuring kobolds. It takes the amount of fiction in the book up to about 14,000 words – short enough to read quickly!

As with the last couple of editions, I’ve included an authors note after each story to give a little bit of background.

So, have you ever wonder why aliens don’t visit Earth? Or what coffee a demon likes to drink? Or how bureaucracy could really screw up a grand space adventure? A Flash in the Pan? is a collection of speculative flash fiction and short stories that answers these questions and more.

Available through Smashwords for free, and all the distribution portals that Smashwords connects with.

Australian SF Awards Part 2 – The Ditmar Awards

Both of the major SF awards in Australia are happening towards the start of the year, so I thought I might signal boost both sets of shortlists. In this second post, I’ll be focusing on the Ditmar Awards (you can see my thoughts on the Aurealis Awards in Part 1 of this series).

The Ditmar awards are Australia’s national popular vote awards for speculative fiction. Where the Aurealis awards (which are judged not voted on) focus on written work and divide the genre up into extensive sub-categories, the Ditmar awards keep the genres together and award only on length (best novel, novella, short story, collected work etc). There are also several awards for non-written contributions to the SF categories (e.g. best fan writer, artwork, fan publication in any medium etc).

The Ditmars are given out at the Australian national SF convention (which is this year Contact 2016 in Brisbane). The rules for the awards can be found on the Ditmar wiki. Details of the 2016 ceremony can be found on the Contact website. Voting is due to finish on 18 March 2016, with the voting form here.

To nominate a work, you have to be “known to fandom”, but to actually vote in the final ballot one needs to purchase a membership at the national convention (or have been a member of the previous year’s national convention).  I can see how this makes the voting process administratively easier (and is in line with the voting practices in overseas awards), but it does seem to work to restrict voting to those that can afford the financial outlay (a supporting membership of Contact 2016 costs $40).

Why does this matter? The Ditmars suffer from the same weaknesses that other voted awards do – namely the voting process is only robust if you get a large, representative sample of people to nominate and vote. There is always the chance that the Ditmar’s become less representative of the best work of the year, and more representative of famous/popular content creators. While not conclusive, I find it interesting that I recognise nearly all of the names on the Ditmar ballot, but there are a lot of names that are new to me on the Aurealis awards ballot. I do wonder if removing or reducing the financial barriers to participation in the voting process might improve the inclusiveness of the results. Having said that, the nomination process is broader, so perhaps not!

It is good to have awards for non-fiction contributions to the Australian speculative fiction scene. As well as the categories listed below, there are two other awards that are usually given out at the Ditmar award ceremony. From the Contact 2016 website:

Norma K. Hemming Award
The Norma K. Hemming Award marks excellence in the exploration of race, gender, sexuality, class and disability, and is awarded by the Australian Science Fiction Foundation (ASFF). Nominations close in the second week of December in the year preceding the respective NatCon.

A. Bertram Chandler Award
Australia’s top fan award, the Chandler is awarded by the ASFF for outstanding achievement in science fiction. Unlike the Ditmars, this award is decided upon by a jury appointed by the Foundation. Nominations for the Chandler Award are always open.

More information about the Norma K. Hemming Award and the A. Bertram Chandler Award can be found on the ASFF website.

All in all, the Ditmars represent a wonderful chance for the established Australian SF community to come together. I’ve attended a couple of ceremonies in the past, and they have always been uplifting affairs. In 2014, I was even fortunate enough to be on a podcasting team that won the Best Fan Publication in Any Medium award, which was a huge honour. Between the Ditmar and the Aurealis awards shortlists, you can get an excellent sense of where the action is in the Australian scene – and I commend it to you.

2016 Ditmar Ballot contents

The following section details the contents of the preliminary ballot. (Note that the final ballot will include a “No Award” option in each category.

Best Novel

  • The Dagger’s Path, Glenda Larke (Orbit)
  • Day Boy, Trent Jamieson (Text Publishing)
  • Graced, Amanda Pillar (Momentum)
  • Lament for the Afterlife, Lisa L. Hannett (ChiZine Publications)
  • Zeroes, Scott Westerfeld, Margo Lanagan, and Deborah Biancotti (Simon and Schuster)

Best Novella or Novelette

  • “The Cherry Crow Children of Haverny Wood”, Deborah Kalin, in Cherry Crow Children (Twelfth Planet Press)
  • “Fake Geek Girl”, Tansy Rayner Roberts, in Review of Australian Fiction, volume 14, issue 4 (Review of Australian Fiction)
  • “Hot Rods”, Cat Sparks, in Lightspeed Science Fiction & Fantasy 58 (Lightspeed Science Fiction & Fantasy)
  • “The Miseducation of Mara Lys”, Deborah Kalin, in Cherry Crow Children (Twelfth Planet Press)
  • “Of Sorrow and Such”, Angela Slatter (Tor.com)
  • “The Wages of Honey”, Deborah Kalin, in Cherry Crow Children (Twelfth Planet Press)

Best Short Story

  • “2B”, Joanne Anderton, in Insert Title Here (FableCroft Publishing)
  • “The Chart of the Vagrant Mariner”, Alan Baxter, in Fantasy & Science Fiction, Jan/Feb 2015 (Fantasy & Science Fiction)
  • “A Hedge of Yellow Roses”, Kathleen Jennings, in Hear Me Roar (Ticonderoga Publications)
  • “Look how cold my hands are”, Deborah Biancotti, in Cranky Ladies of History (FableCroft Publishing)

Best Collected Work

  • Bloodlines, Amanda Pillar (Ticonderoga Publications))
  • Cherry Crow Children, Deborah Kalin, edited by Alisa Krasnostein (Twelfth Planet Press)
  • Cranky Ladies of History, edited by Tansy Rayner Roberts and Tehani Wessely (FableCroft Publishing)
  • Letters to Tiptree, edited by Alexandra Pierce and Alisa Krasnostein (Twelfth Planet Press)
  • Peripheral Visions: The Collected Ghost Stories, Robert Hood (IFWG Publishing Australia)

Best Artwork

  • Cover art, Rovina Cai, for “Tom, Thom” (Tor.com)
  • Cover art, Kathleen Jennings, for Bloodlines (Ticonderoga Publications)
  • Cover and internal artwork, Kathleen Jennings, for Cranky Ladies of History (FableCroft Publishing)
  • Cover, Shauna O’Meara, for The Never Never Land
  • Illustrations, Shaun Tan, in The Singing Bone (Allen & Unwin)

Best Fan Publication in Any Medium

  • The Angriest, Grant Watson
  • The Coode Street Podcast, Jonathan Strahan and Gary K. Wolfe
  • Galactic Suburbia, Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts
  • SF Commentary, Bruce Gillespie
  • The Writer and the Critic, Kirstyn McDermott and Ian Mond

Best Fan Writer

  • Tsana Dolichva, for body of work
  • Foz Meadows, for body of work
  • Ian Mond, for body of work
  • Alexandra Pierce for body of work
  • Katharine Stubbs, for body of work
  • Grant Watson, for body of work

Best Fan Artist

  • Kathleen Jennings, for body of work, including Illustration Friday series
  • Belinda Morris, for body of work, including Belinda Illustrates

Best New Talent

  • Rivqa Rafael
  • T R Napper
  • DK Mok
  • Liz Barr

William Atheling Jr Award for Criticism or Review

  • Letters to Tiptree, edited by Alexandra Pierce and Alisa Krasnostein (Twelfth Planet Press)
  • The Rereading the Empire Trilogy series, Tansy Rayner Roberts
  • The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, and Tehani Wessely
  • “Sara Kingdom dies at the end”, Tansy Rayner Roberts, in Companion Piece (Mad Norwegian Press)
  • “SF Women of the 20th Century”, Tansy Rayner Roberts
  • The Squeeing over Supergirl series, David McDonald, and Tehani Wessely

Australian SF Awards Part 1 – The Aurealis Awards

Both of the major SF awards in Australia are happening towards the start of the year, so I thought I might signal boost both sets of shortlists. In this first post, I’ll be focusing on the Aurealis Awards.

The Aurealis Awards are a judged award, with a lot of dedicated SF fans and writers volunteering a lot of time to review, shortlist and ultimately pick a winner. The 2015 finalists were announced recently, and I blush to admit that I haven’t read many of the works listed. I am impressed by the wide range of authors and creators listed – I haven’t heard of many of them, which speaks volume for the health of the Australian scene at the moment. I can see I’m going to have to do a lot more reading to keep in touch with what’s going on in the field.

The awards will be held at the Australian national convention, being held this year in Brisbane on Friday 25th March (i.e. the Easter long weekend). It’s great to see the awards being presented at different venues around the country over the last few years – it gives more people a chance to attend and celebrate. Sadly I won’t be able to make it up to Brisbane myself – I’ve attended a few Aurealis Award ceremonies and they are always fun events. If you’re going to be in Brisbane over Easter, I’d highly recommend attending.

The introduction of the novella categories for science fiction, fantasy and horror says interesting things about the state of the field. Clearly, the award process must be attracting enough short fiction to make dividing the category into two parts viable. I wonder if it is also another indicator of the rise of the novella. I’ve heard it said that novellas are gaining a new momentum in the world of the eBook – clearly there are enough publishing opportunities for authors to justify a whole set of categories.

The Sara Douglas award is another interesting addition, trying to recognise whole series of works rather than individual books. I note that the award won’t necessarily be given out every year, which makes sense. The series that made the short list have all received a fair amount of critical acclaim, so I couldn’t possibly guess who might win it. But the creation of the award does show an ongoing trend towards recognising how people engage with novels in the 21st century, especially when looked at in light of the introduction of the novella categories mentioned above.

It seems that the Aurealis Awards are engaging in a certain amount of renewal and regeneration. I, for one, welcome our new award giving overlords.

2015 Aurealis Awards – Finalists

BEST CHILDREN’S FICTION

A Week Without Tuesday, Angelica Banks (Allen & Unwin)

The Cut-Out, Jack Heath (Allen & Unwin)

A Single Stone, Meg McKinlay (Walker Books Australia)

Bella and the Wandering House, Meg McKinlay (Fremantle Press)

The Mapmaker Chronicles: Prisoner of the Black Hawk, A.L. Tait (Hachette Australia)

BEST GRAPHIC NOVEL / ILLUSTRATED WORK

The Undertaker Morton Stone Vol.1, Gary Chaloner, Ben Templesmith, and Ashley Wood (Gestalt)

The Diemenois, Jamie Clennett (Hunter Publishers)

Unmasked Vol.1: Going Straight is No Way to Die, Christian Read (Gestalt)

The Singing Bones, Shaun Tan (Allen & Unwin)

Fly the Colour Fantastica, various authors (Veriko Operative)

BEST YOUNG ADULT SHORT STORY

“In Sheep’s Clothing”, Kimberly Gaal (Andromeda Spaceways Inflight Magazine #61)

“The Nexus Tree”, Kimberly Gaal (The Never Never Land, CSFG)

“The Miseducation of Mara Lys”, Deborah Kalin (Cherry Crow Children, Twelfth Planet Press)

“The Heart of the Labyrinth”, DK Mok (In Memory: A Tribute to Sir Terry Pratchett, Sorin Suciu)

“Blueblood”, Faith Mudge (Hear Me Roar, Ticonderoga Publications)

Welcome to Orphancorp, Marlee Jane Ward (Seizure)

BEST HORROR SHORT STORY

“Bullets”, Joanne Anderton (In Sunshine Bright and Darkness Deep, AHWA)

“Consorting with Filth”, Lisa L Hannett (Blurring the Line, Cohesion Press)

“Heirloom Pieces”, Lisa L Hannett (Apex Magazine, Apex Publications)

“The Briskwater Mare”, Deborah Kalin (Cherry Crow Children, Twelfth Planet Press)

“Breaking Windows”, Tracie McBride (Aurealis #84)

“Self, Contained”, Kirstyn McDermott (The Dark, TDM Press)

BEST HORROR NOVELLA

“Night Shift”, Dirk Flinthart (Striking Fire, FableCroft Publishing)

“The Cherry Crow Children of Haverny Wood”, Deborah Kalin (Cherry Crow Children, Twelfth Planet Press)

“The Miseducation of Mara Lys”, Deborah Kalin (Cherry Crow Children, Twelfth Planet Press)

“Wages of Honey”, Deborah Kalin (Cherry Crow Children, Twelfth Planet Press)

“Sleepless”, Jay Kristoff (Slasher Girls and Monster Boys, Penguin)

“Ripper”, Angela Slatter (Horrorology, Jo Fletcher Books)

BEST FANTASY SHORT STORY

“The Giant’s Lady”, Rowena Cory Daniells (Legends 2, Newcon Press)

“The Jellyfish Collector”, Michelle Goldsmith (Review of Australian Fiction Vol. 13 Issue 6)

“A Shot of Salt Water”, Lisa L Hannett (The Dark, TDM Press)

“Almost Days”, DK Mok (Insert Title Here, FableCroft Publishing)

“Blueblood”, Faith Mudge (Hear Me Roar, Ticonderoga Publications)

“Husk and Sheaf”, Suzanne Willis (SQ Mag 22, IFWG Publishing Australia)

BEST FANTASY NOVELLA

“Lodloc and The Bear”, Steve Cameron (Dimension6, coeur de lion)

“Defy the Grey Kings”, Jason Fischer (Beneath Ceaseless Skies, Firkin Press)

“Broken Glass”, Stephanie Gunn (Hear Me Roar, Ticonderoga Publications)

“The Flowers that Bloom Where Blood Touches the Earth”, Stephanie Gunn (Bloodlines, Ticonderoga Publications)

“Haunting Matilda”, Dmetri Kakmi (Cthulhu: Deep Down Under, Horror Australis)

“Of Sorrow and Such”, Angela Slatter (Tor.com)

BEST SCIENCE FICTION SHORT STORY

“2B”, Joanne Anderton (Insert Title Here, Fablecroft)

“The Marriage of the Corn King”, Claire McKenna (Cosmos)

“Alchemy and Ice”, Charlotte Nash (Andromeda Spaceways Inflight Magazine #61)

“Witnessing”, Kaaron Warren (The Canary Press Story Magazine #6)

“All the Wrong Places”, Sean Williams (Meeting Infinity, Solaris)

BEST SCIENCE FICTION NOVELLA

“Blood and Ink”, Jack Bridges, Prizm Books

“The Molenstraat Music Festival”, Sean Monaghan (Asimov’s Science Fiction)

“By Frogsled and Lizardback to Outcast Venusian Lepers”, Garth Nix (Old Venus, Random House)

BEST COLLECTION

The Abandonment of Grace and Everything After, Shane Jiraiya Cummings (Brimstone Press)

Striking Fire, Dirk Flinthart (FableCroft Publishing)

Cherry Crow Children, Deborah Kalin (Twelfth Planet Press)

To Hold the Bridge, Garth Nix (Allen & Unwin)

The Fading, Carole Nomarhas (self-published)

The Finest Ass in the Universe, Anna Tambour (Ticonderoga Publications)

BEST ANTHOLOGY

Hear Me Roar, Liz Grzyb (ed.) (Ticonderoga Publications)

The Year’s Best Australian Fantasy and Horror 2014, Liz Grzyb and Talie Helene (eds.) (Ticonderoga Publications)

Bloodlines, Amanda Pillar (ed.) (Ticonderoga Publications)

Meeting Infinity, Jonathan Strahan (ed.), (Solaris)

The Best Science Fiction and Fantasy of the Year: Volume 9, Jonathan Strahan (ed.) (Solaris)

Focus 2014: highlights of Australian short fiction, Tehani Wessely (ed.) (FableCroft Publishing)

BEST YOUNG ADULT NOVEL

In The Skin of a Monster, Kathryn Barker (Allen & Unwin)

Lady Helen and the Dark Days Club, Alison Goodman (HarperCollins)

The Fire Sermon, Francesca Haig (HarperVoyager)

Day Boy,Trent Jamieson (Text Publishing)

Illuminae, Amie Kaufman and Jay Kristoff (Allen & Unwin)

The Hush, Skye Melki-Wagner (Penguin Random House Australia)

BEST HORROR NOVEL

No Shortlist Released

BEST FANTASY NOVEL

In The Skin of a Monster, Kathryn Barker (Allen & Unwin)

Lady Helen and the Dark Days Club, Alison Goodman (HarperCollins)

Day Boy,Trent Jamieson (Text Publishing)

The Dagger’s Path, Glenda Larke (Hachette Australia)

Tower Of Thorns, Juliet Marillier (Pan Macmillan Australia)

Skin, Ilka Tampke (Text Publishing)

BEST SCIENCE FICTION NOVEL

Crossed, Evelyn Blackwell (self-published)

Clade, James Bradley (Penguin)

Illuminae, Amie Kaufman and Jay Kristoff (Allen & Unwin)

Their Fractured Light, Amie Kaufman and Meagan Spooner (Allen & Unwin)

Renegade, Joel Shepherd (Kindle Direct)

Twinmaker: Fall, Sean Williams (Allen & Unwin)

SARA DOUGLASS BOOK SERIES AWARD

The Chronicles of King Rolen’s Kin [The King’s Bastard (2010), The Uncrowned King (2010), The Usurper (2010), The King’s Man (2012), King Breaker (2013)], Rowena Cory Daniells (Solaris Press)

The Watergivers [The Last Stormlord (2009), Stormlord Rising (2010), Stormlord’s Exile(2011)], Glenda Larke (HarperVoyager)

The Lumatere Chronicles [Finnikin of the Rock (2008), Froi of the Exiles (2011), Quintana of Charyn (2012)], Melina Marchetta (Penguin Random House)

Sevenwaters [Daughter of the Forest (2000), Son of the Shadows (2001), Child of the Prophecy (2002), Heir to Sevenwaters (2009), Seer of Sevenwaters (2011), Flame of Sevenwaters (2013)], Juliet Marillier (Pan Macmillan Australia)

The Laws of Magic [Blaze Of Glory (2007), Heart Of Gold (2007), Word Of Honour (2008),  Time Of Trial (2009), Moment Of Truth (2010), Hour Of Need (2011)], Michael Pryor (Random House Australia)

Creature Court [Power and Majesty (2010), Shattered City (2011), Reign of Beasts (2012)], Tansy Rayner Roberts (HarperVoyager)

 

Australian Women Writers’ Reading Challenge – 2016

Well, after good years in 2012, 13 and 14, my 2015 Australian Women Writers’ Reading Challenge was a bit of a disaster. I had my books selectedAustralian Women Writers' Challenge 2016, but only read 7 by Australian women writers in total, and of those only reviewed 4. This was in the context of a very bad reading year for me, especially in the second half. Still, I am disappointed in myself – I made a commitment and utterly failed to meet it.

So, I approach 2016 with a guilt-fuelled renewed sense of energy. I’ll be trying to read 10 books, and to review all 10. I will sound a note of caution though – the work and life pressures that took me away from reading last year are still in play.

If you haven’t done the AWWC before, I highly recommend it. It’s a great way to diversify your reading and get exposure to some wonderful new authors. And if you are looking for reading suggestions, the AWWC website has a great library of book reviews. My own reviews are here on this website, from 2012, 2013, 2014 and 2015. My 2016 reviews will be at this link throughout the year.