Tag Archives: news

Ditmar award results

The Ditmar awards were handed out last night at Swancon, the Western Australian convention that doubles as the National Convention this year. Unfortunately I couldn’t get over to Perth (Easter is a time where small children will not forgive you if you’re not at home to hand out copious amounts of chocolate), however I was watching along on Twitter.

I’ve summarised the results below. Note – these are what I gleaned from watching along with Twitter – any mistakes are mine alone!

A couple of notes from me. Firstly, congratulations to all winners and runners up! A wonderful field this year, and a very deserving set of awards was handed out.

The podcast I do some work for, Galactic Chat, was up for Best Fan Publication in Any Medium. We didn’t win, but the entry that did (The Writer and the Critic podcast) is one of my favourite podcasts, and a thoroughly deserving winner.

I couldn’t be more thrilled for fellow podcaster Helen Stubbs, who took out the Best New Talent award. Helen is a vibrant and energetic member of the SF field and it is wonderful to see her recognised in this way.

A tie for best novel is always interesting in a voted award. I’ve just finished The Lascar’s Dagger (review here) and I’m 1/2 way through Thief’s Magic, and both a very good novels. Actually, it was a good ballot for Best Novel – I’ve read or are reading all of them and I can honestly say I’m enjoying them all.

It was great to see Kaleidoscope recognised in the Best Collection category, and seeing fiction that recognises such a broad range of diversity being voted for in an awards process. If you want to see more of that kind of thing, you could also support Defying Doomsday‘s Pozible campaign – a collection of stories featuring diverse characters who are in a post-apocalyptic setting.

And finally, it was good to see the Atheling award for criticism go to another single topic essay. While I can certainly see the value in recognising people’s broader body of review work, it would be good to see more in depth analysis on a broader range of topics coming from Australian authors. Hopefully this award will help this trend continue.

Anyway, enough from me – Ditmar results follow (winners bold and in red). Note – the list below doesn’t include the results for some of the Ditmar-adjacent awards like the A. Bertram Chandler Award (Donna Hanson) and the Norma K. Hemming Award (Paddy O’Reilly for The Wonders with honourable mention to Lisa L Hannett and Angela Statter for The Female Factory) and the Peter McNamara Achievement award (Merv Binns). I’ve probably missed some others (for instance the WA award – the Tin Ducks).

Best Novel

  • The Lascar’s Dagger, Glenda Larke (Hachette)
  • Bound (Alex Caine 1), Alan Baxter (Voyager)
  • Clariel, Garth Nix (HarperCollins)
  • Thief’s Magic (Millennium’s Rule 1), Trudi Canavan (Hachette Australia)
  • The Godless (Children 1), Ben Peek (Tor UK)

Best Novella or Novelette

  • “The Ghost of Hephaestus”, Charlotte Nash, in Phantazein (FableCroft Publishing)
  • “The Legend Trap”, Sean Williams, in Kaleidoscope (Twelfth Planet Press)
  • “The Darkness in Clara”, Alan Baxter, in SQ Mag 14 (IFWG Publishing Australia)
  • “St Dymphna’s School for Poison Girls”, Angela Slatter, in Review of Australian Fiction, Volume 9, Issue 3 (Review of Australian Fiction)
  • “The Female Factory”, Lisa L. Hannett and Angela Slatter, in The Female Factory (Twelfth Planet Press)
  • “Escapement”, Stephanie Gunn, in Kisses by Clockwork (Ticonderoga Publications)

Best Short Story

  • “Bahamut”, Thoraiya Dyer, in Phantazein (FableCroft Publishing)
  • “Vanilla”, Dirk Flinthart, in Kaleidoscope (Twelfth Planet Press)
  • “Cookie Cutter Superhero”, Tansy Rayner Roberts, in Kaleidoscope (Twelfth Planet Press)
  • “The Seventh Relic”, Cat Sparks, in Phantazein (FableCroft Publishing)
  • “Signature”, Faith Mudge, in Kaleidoscope (Twelfth Planet Press)

Best Collected Work

  • Kaleidoscope, Alisa Krasnostein and Julia Rios (Twelfth Planet Press)
  • The Year’s Best Australian Fantasy and Horror 2013, Liz Grzyb and Talie Helene (Ticonderoga Publications)
  • Phantazein, Tehani Wessely (FableCroft Publishing)

Best Artwork

  • Illustrations, Kathleen Jennings, in Black-Winged Angels (Ticonderoga Publications)
  • Cover art, Kathleen Jennings, of Phantazein (FableCroft Publishing)
  • Illustrations, Kathleen Jennings, in The Bitterwood Bible and Other Recountings (Tartarus Press)

Best Fan Writer

  • Tansy Rayner Roberts, for body of work
  • Tsana Dolichva, for body of work
  • Bruce Gillespie, for body of work
  • Katharine Stubbs, for body of work
  • Alexandra Pierce for body of work
  • Grant Watson, for body of work
  • Sean Wright, for body of work

Best Fan Artist

  • Nalini Haynes, for body of work, including “Interstellar Park Ranger Bond, Jaime Bond”, “Gabba and Slave Lay-off: Star Wars explains Australian politics”, “The Driver”, and “Unmasked” in Dark Matter Zine
  • Kathleen Jennings, for body of work, including Fakecon art and Illustration Friday series
  • Nick Stathopoulos, for movie poster of It Grows!

Best Fan Publication in Any Medium

  • Snapshot 2014, Tsana Dolichva, Nick Evans, Stephanie Gunn, Kathryn Linge, Elanor Matton-Johnson, David McDonald, Helen Merrick, Jason Nahrung, Ben Payne, Alex Pierce, Tansy Rayner Roberts, Helen Stubbs, Katharine Stubbs, Tehani Wessely, and Sean Wright
  • It Grows!, Nick Stathopoulos
  • Galactic Suburbia, Alisa Krasnostein, Alexandra Pierce, Tansy Rayner Roberts, and Andrew Finch
  • The Writer and the Critic, Kirstyn McDermott and Ian Mond
  • Galactic Chat, Sean Wright, Helen Stubbs, David McDonald, Alexandra Pierce, Sarah Parker, and Mark Webb

Best New Talent

  • Helen Stubbs
  • Shauna O’Meara
  • Michelle Goldsmith

William Atheling Jr Award for Criticism or Review

  • Reviews in The Angriest, Grant Watson
  • The Eddings Reread series, Tehani Wessely, Jo Anderton, and Alexandra Pierce, in A Conversational Life
  • Reviews in Adventures of a Bookonaut, Sean Wright
  • “Does Sex Make Science Fiction Soft?”, in Uncanny Magazine 1, Tansy Rayner Roberts
  • Reviews in FictionMachine, Grant Watson
  • The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, and Tehani Wessely

Burst of crowd funding

I’ve supported a few crowd funded initiatives lately. Why not list them all out on the blog as a signal boost? I thought to myself this morning, then ignored the small voice at the back of myself that said because so few people read this blog that you’re as much use signal boosting as a broken AM radio antenna.

Why be so negative? It’s Easter. There’s chocolate, or at least the promise of chocolate. Look, I’ll come back when I’ve got the blood sugar up to an acceptable level.

.

.

.

That’s better. Now, where was I?

Night Terrace Season 2

I loved the first season of Night Terrace, an Australian radio play with a distinct Doctor Who homage vibe. More importantly, my 6 year old daughter loved it even more. We listened to the entire season in one hit while we drove from Sydney to Wollongong to Canberra and back to Sydney in one day. She often asks me if there is “more of that Eddie show”.

Well, I’m now pleased to say that more of that Eddy show is indeed in the offing. Night Terrace season 2 is now being crowd funded through Kickstarter. I may or may not have selected the option that allows you to name a character, just so my daughter can have the surprise of hearing her name included in the season. There are still a few weeks to go – get in there and throw money in their general direction. You’ll be very pleased you did.

A blurb from the Kickstarter page follows:

Scientist Anastasia Black had retired from her job saving the world, preferring the adventure of a good book and a pot of tea. Then her house unexpectedly began travelling randomly through time and space, taking with it hapless university student Eddie Jones. From the far future on other worlds to the distant past of Earth, Anastasia and Eddie have faced deadly monsters, evil corporations and a sinister disco, before finally discovering the origins of the house’s strange power.

But with no way to direct the house back home, there are even stranger adventures awaiting the tenants of “Night Terrace”: impossible spaceships, unlikely quests, ghosts of the past and the most terrible peril of all: a new housemate… 

Defying Doomsday

Regular readers might recall that I supported the crowdfunding of a book called Kaleidoscope last year, which highlighted speculative fiction stories featuring people with some kind of disability. I reviewed the book here as a part of the Australian Women Writers Reading Challenge last year.

Well, the publisher (Twelfth Planet Press) of Kaleidoscope is at it again, this time starting a Pozible campaign to fund a new book called Defying Doomsday. There is a similar premise (stories featuring protagonists with a disability), but this time the landscape is post apocalyptic.

It’s great to see a broader audience develop for books with different protagonists, and Defying Doomsday certainly seems to be continuing that trend. Going off the quality of KaleidoscopeDefying Doomsday will be of excellent quality and well worth your support. I’m also very interested in seeing how Australian editors Tsana Dolichva and Holly Kench go with this project.

From the campaign page:

We love apocalypse fiction, but we rarely find characters with disability, chronic illness and other impairments in these stories. When they do appear, they usually die early on, or are secondary characters undeveloped into anything more than a burden to the protagonist. We believe that disabled characters have a far more interesting story to tell in post-apocalyptic/dystopian fiction, and we want to create an anthology sharing those stories. 

Defying Doomsday

We want to create an anthology that is varied, especially among protagonists, with characters experiencing all kinds of disability from physical impairments, chronic illnesses, mental illnesses and/or neurodiverse characters. There will also be a variety of stories, including those that are fun or sad, adventurous or horrific, etc, but we are avoiding stories in which the character’s condition is the primary focus of the narrative. 

The stories in Defying Doomsday will look at periods of upheaval from new and interesting perspectives. We want to share narratives about characters with disability, characters with chronic illnesses and other impairments, surviving the apocalypse and contending with the collapse of life as they know it.

Con Man

OK, this one doesn’t need a lot of boosting from me. Alan Tudyk and Nathan Fillion (from the ill fated TV series Firefly – and if you don’t know what that is then you’ve missed out on a treat – and this project probably isn’t for you!) have decided to create a web based series based on a familiar premise. Fillion and Tudyk play actors who starred on a TV series Spectrum that ran for 14 episodes and was cancelled. Fillion’s character went on to acting success, while Tudyk’s character makes the rounds of science fiction conventions. Semi-auto-biographical.

The reason this campaign doesn’t need much boosting from me is that they are currently sitting on $2.6m from a starting target of $425,000. They were obviously prepared for success though, they have been revealing extra stretch goals as they go along, and those stretch goals are clearly well thought out.

Still, I love the premise and the “sample” video they have seems pretty funny. Well worth checking out.

From their website:

Wray Nerely (Alan Tudyk-Me!) was a co-star on Spectrum, a sci-fi series which was canceled -Too Soon- yet became a cult classic. Wray’s good friend, Jack Moore (Nathan Fillion) starred in the series and has gone on to become a major movie star. While Jack enjoys the life of an A-lister, Wray tours the sci-fi circuit as a guest of conventions, comic book stores, and lots of pop culture events.  The show will feature all the weird and crazy things that happen to Wray along the way to these events.

The series is a light-hearted take on the personalities, luminaries, and characters in the sci­fi community we are privileged to call ourselves members. Con Man is a way to share some of the surreal occurrences we have had, while telling the story of a guy learning to love and embrace his fans. 

I wanted to make a show that featured all of my favorite convention artists and friends together. Not only that, I wanted to celebrate the world where heroes, villains, zombie hunters, and space pirates all overlap. I especially wanted to work with my friend Nathan Fillion again.

Serial Crises: Car, Cat, and Root Canal!

And finally a crowd funded initiative that is slightly less frivolous. Kij Johnson is a speculative fiction author in the US who has had a string of bad luck. I’ve always enjoyed Johnson’s work, and while sad to see that bad things had happened, I was glad to see the power of crowd sourcing to help out. This one probably isn’t of interest unless you are familiar with Kij’s work (you might be familiar with the short story The Man Who Bridged the Mist which received a lot of acclaim a few years back), but if you are you should go and check the campaign out.

From the website:

Hello, all! I’m Kij Johnson, a writer of science fiction and fantasy. At the moment, I’m in dire straits, and I really hope you can help me. We all have horrible things happen that eat away our emotional and financial reserves; mostly I manage fine, but this last week, I finally hit the wall, so I’m asking my world for help. This is hard for me, and I feel weird doing it, but the stress of not doing it is rapidly outweighing the stress of asking. 

Here’s the troubles, all of them: My beloved Subaru Forester (it’s the blue of summer skies when you look straight up) destroyed its engine when I was on my way to a conference last weekend. I had it towed back to my mechanic. The bad news is that it needs a replacement engine, but we found a good used one with the same mileage ($4500 installed). 

So there’s that. But I was already struggling to come up with the money for two other urgent situations: my small, charming black cat (who has no official name but is generally known as The Black Cat of Ulthar; that’s her in the picture) is popping out all over her stomach with fatty tumors that need to be removed ASAP (this is probably $1200 or so) — and I need a root canal (my share is $600). Both urgent and both not happening: I’ve been stalling both for the last four months, even knowing how ill-advised this is, because I’m trying desperately to save for food, rent, and student loans over my unpaid summer — I just haven’t had the time to build any financial pad.

This all adds up to $6300, which is a lot, I know. Anything at all helps! 

I see that people don’t usually offer rewards for donations here at indiegogo life; but I’m a writer, and that’s how many of you know me. So here are some collective rewards. 

1. If we make $2000, I’ll post online for free an epic chicken poem. It’s a sequel to Chaucer’s “The Nun’s Priest’s Tale” and it’s funny. To me, anyway.

2. If we make $4500 (paying for the car: I need the car to drive the cat places!), I’ll post online for free a poem or story about a car. I haven’t written this yet, so I’ll be on my game. 

3. If we make $5700 (adding the cat), I’ll give her an official name, and it will be brilliant and awesome. 

4. If we make $6300 (adding my teeth), I’ll write a story that involves cars, cats, and teeth. 

As I said, it feels very strange to be doing this, but I’m hoping that some of you will remember some story of mine you read for free online (my website is www.kijjohnson.com, but I have free fiction all sorts of places), and might consider helping out. It would mean everything to me, my cat, and my car.

 

How about you – have you supported any crowd funded projects recently? Let us know in the comments below.

Dimension6 – Issue 4 available now

Dimension6Medium term readers would remember that this site acts as an affiliate for Dimension6, a free magazine showcasing mostly Australian speculative fiction. Editor Keith Stevenson has brought together an impressive lineup of stories over the first four issues of the magazine.

There is a Dimension6 page under the “Links” menu item along the top of the screen, that contains links to the ePub and mobi files for all four issues.

This issue features stories by Jen White, Chris McMahon and Bren MacDibble and is excellent reading that I commend to you.

Australian Women Writers Reading Challenge – 2015

aww-badge-2015And here I go once again, diving into the wonderful world of the Australian Women Writers challenge for 2015. 2014 was a bit of a dip for me, unlike previous years I was reading and reviewing right up until the end of the year (and maybe an insy-winsy bit into 2015). But this year I have a good feeling. With that in mind, I’m still going to attempt the Franklin challenge with a small twist – read 10 books and try to review all 10. I should stray outside the speculative fiction realm – it would probably be good for me. But I suspect that I won’t.

So, if you have any suggestions for books to read or authors to check out, let me know in the comments below. And hopefully I’ll have my first review up very soon.

Zeroes – news

I usually leave news items to people that are better at it than me, like Sean Wright and Alex Pierce for instance. But one piece of recent Australian speculative fiction news has got me very excited, and I just had to share.

Long time readers of the blog might recall that I have a slight literary crush on the writing of Australian author Deb Biancotti, in particular her collection Bad PowerI also loved her other collection The Book of Endings. And don’t get me started on her contribution to Ishtar. I have long bemoaned the fact that she hasn’t published anything for a while, and I have been particularly interested in how she might extend her take on super powers into the novel format.

So imagine my delight when I recently read that Biancotti has co-authored a trilogy with fellow Australians Margo Lanagan and Scott Westerfeld. The announcements can be found here, here and here:

The first book is due out in September 2015, and I am all excitement. You can probably assume I will review the book.

As a side note, I was very interested to read about the writing process when three authors collaborate. Especially as it seemed to involve a significant investment of time at the local pub!

It’s available for pre-order at Amazon (but only in hardback at the moment).

Ditmars preliminary ballot – Galactic Chat!

The preliminary ballot for the Ditmars (Australian SF awards – a voted award not jury picked) has come out and I’m very pleased to say that Galactic Chat has been nominated for the Best Fan Publication in Any Medium category.

For new readers of the blog, I am a minor contributor to the Galactic Chat podcast, which aims to interview the people that make up the Australian speculative fiction scene. The podcast is led by Sean Wright (who is also nominated for a bunch of other stuff around his fan writing), and also includes contributions from Helen Stubbs, David McDonald, Alexandra Pierce and Sarah Parker.

In 2014 I conducted two interviews. The first was with Ion Newcombe, the publisher of AntipodeanSF (which recently published its 200th issue) and the second was with agent extraordinaire Alex Adsett. I am very proud of both interviews – it was great to speak with such fascinating people and I’d like to take the chance once again to thank them both for subjecting themselves to my incessant questioning!

The full Ditmar ballot can be found here, and I’ve reproduced the list below (accurate as at 14/2/2014) with links to the embarrassingly few nominated books that I’ve reviewed on this site. I’d like to give a particular shout out to Sean Wright for his well deserved nominations, fellow podcaster Helen Stubbs for her Best New Talent nomination and other fellow podcaster Alex Pierce for her many nominations!

I should also note that I was interviewed for the 2014 Snapshot, which is a very deserving entry in the Best Fan Publication in any Medium category.

Best Novel

  • The Lascar’s Dagger, Glenda Larke (Hachette)
  • Bound (Alex Caine 1), Alan Baxter (Voyager)
  • Clariel, Garth Nix (HarperCollins)
  • Thief’s Magic (Millennium’s Rule 1), Trudi Canavan (Hachette Australia)
  • The Godless (Children 1), Ben Peek (Tor UK)

Best Novella or Novelette

  • “The Ghost of Hephaestus”, Charlotte Nash, in Phantazein (FableCroft Publishing)
  • “The Legend Trap”, Sean Williams, in Kaleidoscope (Twelfth Planet Press)
  • “The Darkness in Clara”, Alan Baxter, in SQ Mag 14 (IFWG Publishing Australia)
  • “St Dymphna’s School for Poison Girls”, Angela Slatter, in Review of Australian Fiction, Volume 9, Issue 3 (Review of Australian Fiction)
  • “The Female Factory”, Lisa L. Hannett and Angela Slatter, in The Female Factory (Twelfth Planet Press)
  • “Escapement”, Stephanie Gunn, in Kisses by Clockwork (Ticonderoga Publications)

Best Short Story

  • “Bahamut”, Thoraiya Dyer, in Phantazein (FableCroft Publishing)
  • “Vanilla”, Dirk Flinthart, in Kaleidoscope (Twelfth Planet Press)
  • “Cookie Cutter Superhero”, Tansy Rayner Roberts, in Kaleidoscope (Twelfth Planet Press)
  • “The Seventh Relic”, Cat Sparks, in Phantazein (FableCroft Publishing)
  • “Signature”, Faith Mudge, in Kaleidoscope (Twelfth Planet Press)

Best Collected Work

  • Kaleidoscope, Alisa Krasnostein and Julia Rios (Twelfth Planet Press)
  • The Year’s Best Australian Fantasy and Horror 2013, Liz Grzyb and Talie Helene (Ticonderoga Publications)
  • Phantazein, Tehani Wessely (FableCroft Publishing)

Best Artwork

  • Illustrations, Kathleen Jennings, in Black-Winged Angels (Ticonderoga Publications)
  • Cover art, Kathleen Jennings, of Phantazein (FableCroft Publishing)
  • Illustrations, Kathleen Jennings, in The Bitterwood Bible and Other Recountings (Tartarus Press)

Best Fan Writer

  • Tansy Rayner Roberts, for body of work
  • Tsana Dolichva, for body of work
  • Bruce Gillespie, for body of work
  • Katharine Stubbs, for body of work
  • Alexandra Pierce for body of work
  • Grant Watson, for body of work
  • Sean Wright, for body of work

Best Fan Artist

  • Nalini Haynes, for body of work, including “Interstellar Park Ranger Bond, Jaime Bond”, “Gabba and Slave Lay-off: Star Wars explains Australian politics”, “The Driver”, and “Unmasked” in Dark Matter Zine
  • Kathleen Jennings, for body of work, including Fakecon art and Illustration Friday series
  • Nick Stathopoulos, for movie poster of It Grows!

Best Fan Publication in Any Medium

  • Snapshot 2014, Tsana Dolichva, Nick Evans, Stephanie Gunn, Kathryn Linge, Elanor Matton-Johnson, David McDonald, Helen Merrick, Jason Nahrung, Ben Payne, Alex Pierce, Tansy Rayner Roberts, Helen Stubbs, Katharine Stubbs, Tehani Wessely, and Sean Wright
  • It Grows!, Nick Stathopoulos
  • Galactic Suburbia, Alisa Krasnostein, Alexandra Pierce, Tansy Rayner Roberts, and Andrew Finch
  • The Writer and the Critic, Kirstyn McDermott and Ian Mond
  • Galactic Chat, Sean Wright, Helen Stubbs, David McDonald, Alexandra Pierce, Sarah Parker, and Mark Webb

Best New Talent

  • Helen Stubbs
  • Shauna O’Meara
  • Michelle Goldsmith

William Atheling Jr Award for Criticism or Review

  • Reviews in The Angriest, Grant Watson
  • The Eddings Reread series, Tehani Wessely, Jo Anderton, and Alexandra Pierce, in A Conversational Life
  • Reviews in Adventures of a Bookonaut, Sean Wright
  • “Does Sex Make Science Fiction Soft?”, in Uncanny Magazine 1, Tansy Rayner Roberts
  • Reviews in FictionMachine, Grant Watson
  • The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, and Tehani Wessely

Authentic Empathy now available in Antipodean SF – Issue 200!

I have a new story published and online today! Authentic Empathy is the 10th story I’ve had published at the long term online magazine AntipodeanSF, and to make it even better, it is in the bumper issue 200.

AntipodeanSF was started back in February 1998 by Ion “Nuke” Newcombe as a venue for using the new-to-most-of-us technology of the internet to bring a wider range of stories to the masses. The stories were pitched at 500 words long (flash fiction) because that’s the most Nuke felt people could read in one hit on the flickering CRT screens that were the norm at the time.

17 years later, he is publishing issue 200 and I couldn’t be prouder to be a part of it. Nuke has been excellent to me – taking the time to not only publish but edit my stories. But more than that, I’ve been astonished at what a wide array of Australian writers had early publication credits with AntipodeanSF. Nuke is a stalwart of the Australian speculative fiction scene, and if you haven’t had a chance to check out AntipodeanSF, make now the time that you introduce yourself to its bite-sized delights!

Issue 200 is a bit different from most. Rather than the 6 – 10 flash fiction pieces Nuke usually publishes, he has gone back to people who had early AntipodeanSF publishing success and asked them to provide a new story. The issue contains 22 stories from authors who owe Nuke a debt of gratitude, and as a bonus he has included (in most cases) the first story that the author had published on AntipodeanSF. In my case, that story was called Shipwrecked, which came from my wondering about why Earth may have never been visited by extraterrestrial life.

My new work, Authentic Empathy, is a short piece that was inspired by some questions I’ve always had about what would really happen if AIs were introduced to the world.

If you’re interested in hearing more about AntipodeanSF, I recently interviewed Nuke for the Galactic Chat podcast.

So, go get my story here and if you’re interested in seeing more of my flash fiction, see my bibliography page or my self-published collection of the flash fiction (A Flash in the Pan?)that has previously been published at AntipodeanSF.

(I should note that for the last couple of years I have been producing the simple eBook editions of AntipodeanSF, so when you combine that work with the fact that Nuke has published my work, you can see that I’m a little biased!)

Dimension 6 – Issue 3 available now

The latest edition of Keith Stephenson’s excellent Dimension6 is now available. I’m an affiliate site for Dimension6 so you can download the issue here in either .mobi or .epub format, or you can go to the Dimension6 website to do the same.

This issue features stories by Robert Hood, Steve Cameron and Cat Sparks. Sparks and Hood both won Ditmars this year for their fiction, so the magazine is well worth checking out. Especially considering the price!

Authentic Empathy to be published on Antipodean SF

Nuke, the editor over at Antipodean SF, recently put a call out for stories to include in the upcoming 200th issue. He asked for people that had previously published in the magazine, and was particularly interested in people whose first publication was in Antipodean SF.

I ticked those boxes. My first ever publication was a story called Shipwrecked which was published in issue 163 back in January 2012.

Given that I met the criteria, I put in a submission and was very pleased when Nuke accepted my submission for the flash fiction piece Authentic EmpathyAuthentic Empathy will be my 10th story published in Antipodean, and I remain very grateful to Nuke for all the support he has given my work over the last couple of years.

In September 2014 Antipodean is at issue 195, so issue 200 won’t come around until next February. I’ll be very interested to see what else Nuke does for the anniversary.

A full list of my published stories can be found on my bibliography page.

Galactic Chat – Ion Newcombe interview

Regular blog lurkers will know that I have been helping out with the Galactic Chat podcast, interviewing the occasional unsuspecting member of the Australian speculative fiction community when they can’t think of an excuse to get out of it quick enough.

Ion “Nuke” Newcombe is the latest victim of my interviewing technique. Nuke is the editor in chief of the Australian online magazine Antipodean SF and a long time supporter of the speculative fiction scene. Full disclosure: Nuke has published some of my flash fiction and has been both an inspiration and provided valuable support to my writing, making it doubly fun to be interviewing him.

Antipodean SF has been going since 1998, and Nuke has some fascinating insights into trends that have happened in the SF scene over that time. He also has some great insights into the world of flash fiction. Check out the show notes for more details, then get your listening ears on.

Many thanks to Nuke for not only putting up with my questions, but providing such an interesting and wide ranging set of answers!