Tag Archives: Publication

Posts that are to do with publication of my work

Authentic Empathy to be published on Antipodean SF

Nuke, the editor over at Antipodean SF, recently put a call out for stories to include in the upcoming 200th issue. He asked for people that had previously published in the magazine, and was particularly interested in people whose first publication was in Antipodean SF.

I ticked those boxes. My first ever publication was a story called Shipwrecked which was published in issue 163 back in January 2012.

Given that I met the criteria, I put in a submission and was very pleased when Nuke accepted my submission for the flash fiction piece Authentic EmpathyAuthentic Empathy will be my 10th story published in Antipodean, and I remain very grateful to Nuke for all the support he has given my work over the last couple of years.

In September 2014 Antipodean is at issue 195, so issue 200 won’t come around until next February. I’ll be very interested to see what else Nuke does for the anniversary.

A full list of my published stories can be found on my bibliography page.

Showdown now available at Electric Spec

As reported earlier in the month, I recently sold my short story Showdown to the good people at Electric Spec.

Well, I’m pleased to say that the new edition (Volume 9, Issue 2) has gone live and Showdown is available to read online.

If semi-urban Australian fantasy with an elderly protagonist isn’t quite your style, you can still check out the other excellent offering which include:

  • Girl with the Crooked Spine by Jason Sturner – an unusual fantasy about a unique girl and a misfit boy who meet in the Field Museum in Chicago.
  • A Learned Man by Melinda Brasher is a fantasy inspired by La Leyenda de Bolsa Salgado, an El Salvadorian folktale.
  • Khuminay and the Axe-Wielding Psycho by Barton Paul Levenson. In it, there’s a creature named Khuminay and there’s at least one murder via an axe.
  • Between the Covers by Kathryn Yelinek takes place partly on Earth and partly on another world and explore the topic: what do you do if your memories of yourself aren’t reliable?
  • Forgetting by David E. Hughs is another memory related story.

On the non-fiction side is the ‘Spec Fic in Flicks’ column by Marty Mapes. This edition the topic is “An Alien Perspctive on the Human Condition”.

This edition also contains an interview with author Brian McClellan. McClellan writes epic fantasy, specifically, The Powder Mage Trilogy.

I hope you enjoy Showdown and the rest this edition of Electric Spec.

Wefting the Warp online

I recently blogged that my story, Wefting the Warp, had been purchased and published by Robot and Rayguna UK based speculative fiction magazine. The first publication was done through eBook form, available through Amazon and other fine eBook retailers.

For those not wanting to purchase the eBook version, good news. Robot and Raygun progressively publish each month’s stories on their website. My story is now freely available. Go and check it out. While you’re there, why not read the other fine fiction Robot and Raygun have been publishing?

Short story sale – Robot and Raygun

Well, good news in the Webb household as I celebrate my first short story sale for actual money. Wefting the Warp is a 4,300 word science fiction story and has been bought by Robot and Rayguna new UK based online and print magazine. From their blurb:

Robot and Raygun features all kinds of science fiction, from post apocalyptic worlds to starships travelling through the voids of space and all that lies between.  It is our aim to help fire your imagination and to envision the many futures that lay before us.

Each issue is made up of a selection of short stories to help you discover great new writers of science fiction.

R&R put out their first edition in March 2014, and my story appears in Issue 2, April 2014 which has just been released.

It is a great feeling to have someone like your work enough to pay for it. This is also my first short story length piece to be published (previous publications have been flash fiction).

As always, my bibliography page has details on where you can find all my published work.

Several people have given editorial feedback on the story, and to them I’d like to offer my sincerest thanks. The story wouldn’t have made it without you.

Very short flash fiction piece

Hi all. Antipodean SF has been kind enough to publish another one of my flash fiction pieces. This one is a very short piece called Hindsight is a Bitch and it comes in at around 100 words (I said short, didn’t I?).

You can also read it on the ePub or mobi version of issue 185 available at the e-Reader page of the Antipodean SF website.

I originally wrote this very short story for an online competition, but submitted it to Antipodean SF when I inexplicably failed to win. I hope you enjoy.

The Regersek Zone

Hi all,

It’s been a long time between posts – I’m afraid family life and day job have turned Mark into a very dull boy. Well, dull in terms of my writing. I’m a barrel of laughs when it comes to assessing the potential impact of altering the legislative framework governing the employment of public servants in my great state. But then, it’s hard not to be a wacky funster with material like that to work with.

Despite the temptations that drag me away from my blog, I did want to surface for long enough to say that one of my flash fiction pieces, titled The Regersek Zone, has just been published by the always excellent Ion Newcombe over at Antipodean SF.

Antipodean SF is a fantastic Australian website specialising in flash fiction of around 500 words. The editor, Nuke, has provided opportunities for authors to have their work published for many years, and is unfailingly generous with his time. If you haven’t checked out Antipodean SF, go and have a look immediately. Don’t worry, I’ll wait for you…




Back? Great. Hope you enjoyed yourself.

As for my story, I was watching the US based Falling Skies recently and began wondering why aliens that have mastered intergalactic travel would ever bother with the Earth. We seem like we’re more trouble than we’re worth. Especially when there is a tempting terraforming target not that far away…

(My other flash fiction publications can be found on the Bibliography page of this site).

The Regersek Zone to be published on Antipodean SF

It’s been a long time between publications. A few “life gets in the way” events late last year really threw me out of the writing zone. That, combined with my attempts to write some longer-short pieces, has meant it is a long time since my last story made its way out into the world. As a result, I am ridiculously happy that Nuke (the editor at Antipodean SF) has accepted one of my flash fiction pieces for publication.

The Regersek Zone is currently scheduled for issue 184 of Antipodean SF, published in October 2013. I’ll also record a reading for the radio show/podcast, which will be broadcast some time in October/November.

I know Nuke is always looking for new material for the Antipodean SF website, so if you fancy trying your hand at a short piece of speculative flash fiction you should check out the Antipodean SF submissions page.

Submitting stories – going against wise counsel

I recently attended the NSW Speculative Fiction Festival where many fine speakers imparted much accumulated wisdom. A good time was had by all. There was one session focusing on the art and craft of short story writing, chaired by Cat Sparks and including Angela SlatterLisa Hannett and Dirk Strasser. All very accomplished writers, editors and publishers with a plethora of awards between them. One of the main pieces of advice they gave was submit to pro markets first. Why publish your story for free when someone might pay you for it? Why take 2c a word when someone might pay 10c a word? Why miss an opportunity for your work to get out to the wider audiences that the pro markets command?


It’s good advice. It is logical. Across the room I could feel the pluck of my fellow neophyte writers stiffen as we all resolved to send our short stories to Asimov’s as soon as we got home. I suspect the online submission systems of many a professional magazine were swamped with stories from down under. I did it myself, adding some prestigious names to my steadily growing pile of rejections (always boilerplate rejections, never those good personally written ones that everyone talks about :-). And as we’re always told, you’re probably being rejected because your work isn’t quite right for that particular editor at that particular time. Sure, some work is rejected because it isn’t good enough, but not yours. Never yours. Right?

I like my stories. When I leave them for long enough that I can barely remember writing them and re-read them as if I’m reading a strangers work, I enjoy the experience. They aren’t literary, but then I’m not a literary guy. I think they are OK. And considering I’ve only been writing for a short time, that’s good. I’m proud of the work I do.

But OK work that I’m proud of does not necessarily a pro market publication make. And some markets take months to get back to you. By my rough calculations, if you submitted to every pro market that gives you credit towards say joining Science Fiction Writers of America, your story could be tied up for years. And stories sitting in slush piles do not help me learn how to be better.

I’m beginning to think that what I need to be focusing on is mid-tier semi-pro markets where an editor might take some interest in my work, and perhaps provide suggestions on how it could be improved. At this stage, that would be much more valuable to me than large amounts of money. The flash fiction pieces I’ve published on Antipodean SF have been fantastic experiences, working with the editor there (Ion Newcombe) to make them better. Perhaps I need the equivalent for longer works.

I’m undecided. The lure of a pro market sale is strong. But I know I’ve got a lot to learn about the craft of writing, and wasting time sending solid but not dazzlingly brilliant stories to markets that are never going to publish them might not be such a great idea.

So, my friends – what do you think? For the writers out there, what is your approach to short story submissions? Is it all-pro-all-the-time? Free to a good home? Somewhere in between?


Make Mine a Macchiato on the Beam Me Up radio show

My flash fiction piece Make Mine a Macchiato was featured on the Beam Me Up radio show/poscast in episode 342 on the weekend. Paul Cole, the host of the podcast, starts talking about the story around the 12 minute mark, and the story itself starts around 13 minutes and 30 seconds.

Paul was also kind enough to mention my recent publication of my flash pieces from 2012 on Smashwords. Paul has been a great supporter of my work, for which I am very grateful.

Details of all my flash fiction publications can be found on my bibliography page.

Scrivener to Smashwords

I recently collected up the flash fiction pieces I have had published in Antipodean SF through 2012 and published them in a single eBook at Smashwords. It was an interesting experience and I thought I’d note down some of the things I encountered while it was still fresh.

Firstly, some background. I write on a Macbook Air using the writing software Scrivener. I have found Scrivener to be an excellent way of keeping my stories together and structured, and the product itself is very workman like. I use Dropbox to backup my working stories (and so I can work across other computers if I need to). I have been using Scrivener to create an ePub version of the Antipodean SF online magazine each month for the last few months, and it always seems to work out OK.

Smashwords doesn’t take ePub submissions directly. You have to create a Microsoft Word document according to their specifications, submit that Word document and they use their own product (the charmingly named Meatgrinder) to churn out versions of your book in lots of different formats.

If that sounds a bit complicated, the first resource I’ll point you to is the Smashwords style guide. Pay particular attention to the suggestions around the licensing statements. When you get to the point of submitting your file, incorrect licensing statements can be one of the things that stops the submission going ahead. It also has excellent discussions on formatting etc, but it is a fairly long document, and if you’re anything like me you’ll probably be too impatient to read the instructions.

Turns out that Scrivener creates a pretty good first cut at a well formatted Word document. This isn’t a tutorial on using Scrivener (frankly, there are so many features in it that I haven’t even come close to mastering that I’d be the wrong person to give a tutorial anyway). But, a few pointers when generating the document:

  • Don’t create section breaks between parts of your document, create page breaks. Section breaks do weird things in the Meatgrinder process, including inserting superfluous blank pages. Page breaks seem to work fine.
  • Switch your line spacing to single space (mine was set at 1.2 by default). While the line spacing won’t get caught in your initial submission, anything other than single spacing seems to get flagged as a problem that won’t allow your book to achieve “Premium” status (i.e. distributed to places like Apple etc).
  • I overrode my font to be Times New Roman (Smashwords prefers the basic fonts)

When creating the Antipodean SF ePub files, I let Scrivener create a table of contents and it was all good. Because of the Smashwords Word document process, this doesn’t work. I achieved a pretty good manual TOC by inserting a TOC page into my Scrivener manuscript and using Scrivener links to connect each line item in the TOC to the appropriate title in the document. When the Word document is generated, this seems to create all the appropriate links and TOC information that Meatgrinder needs.

I had a few of the normal issues you might expect getting the paragraph formatting correct, setting to single space, indenting, no gaps between paragraphs etc. The main issue I faced here was that the layout in the Word document (which all seemed fine) didn’t seem to translate into the right format for the ePub version. In particular, the first line indenting (which was absolutely fine in the Word document) seemed to randomly not work in the ePub version generated by Smashwords.

I noticed in particular that paragraphs that started off with speech seemed to always be effected. The first thing I needed to do was make sure that the autocorrect settings in Word weren’t attempting to switch normal quotes into “smart quotes”. That seemed to have an impact. The other thing I did was go into Word and open the “Normal” paragraph style and modify it so that the underlying style had all the right formatting elements (single space, no gaps between paragraphs etc), then reapply that style to the text. This was a little manual and time consuming but it did the trick. I think sometimes paragraph formatting from Scrivener might be applied to text without changing the underlying Word paragraph style, and Smashwords seems to take some of its cues from the underlying style.

Now, when it comes to covers you upload the cover to Smashwords separately from the Word document, so you don’t have to worry about inserting it into Scrivener. I need to be clear here – I have no artist ability whatsoever. My sense of aesthetics seems to be entirely out of kilter with mainstream society. I have no advice to give you re: an artistic creation that will draw the punters in.

I will say that relatively recently the pixel dimension requirements changed to take into account higher resolution screens. Smashwords wants rectangles with the width at least 1400 pixels and the height greater than the width. I went to the online cover designer site (My eCover Maker) and created my cover for about $5. Yes, I know it shows. I don’t really warrant or recommend that site in particular – I just registered for free for the “pay as you go” option and made sure I paid using PayPal to keep it all at arms length. Also, if you do go that way make sure you are 100% happy with the cover before you “generate” it – if you find you need to make a couple of small adjustments once you’ve seen the final product, that’s another $5.

Once you’ve uploaded the book and it passes the automatic checks, it is available through Smashwords. However, Smashwords has a second level of publishing, the “Premium Catalogue”, which requires a more precise adherence to the Smashwords style guidelines. This was the spot where some of my line spacing and paragraph formatting issues were tagged. It takes several days for them to review a book, so don’t expect instant turn around. Once your book is approved for the Premium Catalogue, it is also shipped to other online distributors such as Apple, Barnes and Noble etc. This isn’t quite as important to me, the point of publishing A Flash in the Pan? was to collect my flash fiction in one place for 2012 and to try out the Smashwords process. If you were self publishing a full novel, getting this status would be much more important.

At the time of writing my book is available on Smashwords and I’ve made the adjustments that Smashwords requires for the Premium Catalogue (although it hasn’t been reassessed as yet).

I used the Smashwords ISBN manager to assign my work an ISBN. Not really much more to say on this, of course if you’re managing your own publishing house you probably will bring your own ISBN number to the party, but for a simple self publishing job the Smashwords process seems fine.

When checking the ePub output from Meatgrinder, I found the Adobe Digital Editions provided the most convenient option (as recommended on the Smashwords site). Short of loading it onto the iPad of course (which is just a bit fiddly – download the ePub, move it over to iTunes, plug in the iPad, sync it and repeat every time you make a change). For the mobi version, it was pretty much check it on the Kindle.

Finally, I thought it might be useful if I attached three documents:

  1. The Scrivener file for A Flash in the Pan? (A Flash in the Pan.scriv)
  2. The Word document that Scrivener compiles (A Flash in the Pan – Scrivener)
  3. The Word document that I finally uploaded to Smashwords after adjustments (A Flash in the Pan – uploaded)

All three documents remain copyright me etc, but hopefully they will help show the process I’ve been through.

So, there are some of my thoughts on the Scrivener to Smashwords process. What about you? I’d love to hear some stories, hints and tricks in the comments section.