Writing – a 2013 recap and 2014 plan

My 2013 writing year was a hit and miss affair. I had two flash fiction pieces published at Antipodean SF (The Regersek Zone and Hindsight is a Bitch). Nuke at Antipodean SF has been a great supporter, and I was very pleased to get a couple of pieces done for him.

This year I decided to put my novel writing on hold and focus on a few shorter pieces, to try and get more “end to end” experience of writing something. The result was four pieces in addition to the published two above:

  • 11,000 word fantasy piece that I’m still tinkering with called The Reclaimers.
  • 5,000 word I guess you’d call it urban/modern rural fantasy short story called Showdown.
  • 4,000 word science fiction piece called Wefting the Warp.
  • 600 word flash piece called Learning and Development.

I like all four, but it is fair to say that I have accumulated a lot of rejections on the last three so I don’t think that feeling is shared in the broader publishing community! Still, I’m very happy to have finished some pieces.

2013 was a difficult year work wise and with a few family issues, so my writing fell away a lot, especially towards the end of the year. I wasn’t writing regularly enough and it became more and more difficult to pick up a pen or a keyboard and start typing. Genrecon came along and gave me a good kick in the backside and I’ve had a few weeks off over Christmas to hopefully do some battery recharging. Given I’m going back into work I figure I’m as recharged as I’m going to get, so I’ve decided on the following for 2014:

  1. I don’t like telling people I have 2/3rds of an awful first draft of a novel. It’s a bit embarrassing. I’ve decided that I want to tell people that I have a full crappy first draft of a novel. Getting that last third of the novel out onto paper is a now a goal.
  2. I’m going to rest my short stories for a couple of months and come back at them with fresh eyes. Given the feedback I’ve been getting they are just not good enough but I think I need a little distance before I can pull them apart effectively.
  3. I need to be writing more regularly. I’ve worked out that writing longhand, if I write one page in the notebooks I like to use it equates to about 100 words. I’ve set myself the goal of writing at least one page every day, even if it means staying up a bit later of an evening to do so. As is often the way, one page often turns into 2 or 3 or 10, but I think I’m going to have to keep this “slow and steady” approach or I’m never going to get anywhere.
  4. I’d like to try and get involved with the right writing group – somewhere where I can get feedback of course but also get more of a support network for my writing. Fitting something like a writing group in around my family and work commitments is difficult, but it is something I’d like to make time for. I’ve had some great support from some individual writers out there as well and I’d also like to continue to build that network.
  5. Assuming all this goes to plan, the back half of the year I’d like to spend time editing my crappy novel first draft into a slightly-less-crappy-but-still-crappy second draft.
  6. I enjoy writing the shorter pieces, so I’m hoping a couple more flash fiction stories might find their way onto the Antipodean SF website during the year.

Now, by writing all this down and putting it into the public domain I’m hoping I can embarrass myself into actually following through. So, if you see me around the traps feel free to ask how things are going. If I look shifty and try to distract you by asking if that is Elvis Presley in the corner, you’ll know things aren’t going so well!

Wizard Undercover by K. E. Mills – review

This review forms part of my contribution to the Australian Women Writers 2013 Reading Challenge. All my 2013 AWWC reviews can be found here.


Wizard Undercover

Wizard Undercover is the fourth book in the Rogue Agent series by K. E. Mills. You can read my review of the first book in the series, The Accidental Sorcererhere,  my review of the second book, Witches Incorporated, here. and my review of the third book, Wizard Squared, here. Those reviews cover a lot of my general thoughts on the world building and general background, so I’ll keep this review shorter and focused on the plot of this  book.

In Wizard Undercover, Gerald and his friends are sent in undercover to a royal wedding in another country to uncover a plot to sabotage the event and cause international strife.

This book brought together a lot of the strengths of the first few books. The plot is fun and engaging, with enough twists and turns to keep the reader interested. It is more of a straight out spy story, and is better for it.

While there is still an element of Gerald’s powers saving the day in an entirely unpredictable and convenient way, this is significantly de-emphasised compared to the previous books and indeed the smaller instances serve to advance other plot points.

In this book, Gerald’s inexperience as an agent is his biggest handicap. It is all very well bringing the biggest gun to the party, but if you don’t know who to shoot you are still rendered somewhat ineffective. Wizard Undercover treads that line much more adeptly than the last two books.

The character interactions felt more natural and polished as well, which adds to a richer reading experience.

Thoroughly enjoyed this book, and on the strength of it am eagerly awaiting any further instalments in the series.

Highly recommended.

I also reviewed this book on Goodreads. View all my reviews.


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Wizard Squared by K. E. Mills – review

This review forms part of my contribution to the Australian Women Writers 2013 Reading Challenge. All my 2013 AWWC reviews can be found here.


Wizard Squared cover

Wizard Squared is the third book in the Rogue Agent series by K. E. Mills. You can read my review of the first book in the series, The Accidental Sorcererhere and my review of the second book, Witches Incorporated, here. Those reviews cover a lot of my general thoughts on the world building and general background, so I’ll keep this review shorter and focused on the plot of this third book.

Wizard Squared is essentially a parallel reality story. In The Accidental Sorcerer, the protagonist (Gerald) makes certain noble decisions to resolve the plot. In Wizard Squared, the author postulates an alternate world where Gerald made other, less noble decisions and as a result warped himself into an evil sorcerer.

I thought this plot had a lot of possibilities, and was looking forward to reading the book. However, I wasn’t taken with the direction it went in. In some ways I am guilty of wanting a different book than the one the author wrote, which isn’t really fair.

The first section of the book retells the ending of The Accidental Sorcerer, but with the alternate ending. This went on for quite a long time – it almost lost me to be honest. I did wonder whether this kind of backstory might have been woven into the plot a little more seamlessly (and briefly).

Perhaps as a result of the extensive introduction, the rest of the story felt rushed and didn’t broaden the readers view of the world Mills has created as much as the previous two books. This was disappointing.

Evil Gerald was a little too “moustache twirling” for my tastes. He had gone completely and utterly bonkers, and because the conversion to cartoon evil was so complete, it was hard to summon the “there but for the grace of god” type feeling I think the reader was supposed to have. I think there was an opportunity to portray a more subtly evil Gerald, which would have made some of good Gerald’s decisions more complex and morally ambiguous.

I mentioned this in the review of Witches Incorporated, but the use of Gerald’s wild and unpredictable powers to resolve plot issues irked me particularly in this book. None of the character’s actions have much impact – Gerald’s power did most of the work. And his powers were not particularly under his control. So really, things worked out via luck more than anything else. I found this slightly unsatisfying.

As a stand alone book, I’d have trouble recommending this one. If you are enjoying the series overall (which I am), there is enough character progression to warrant reading, but don’t be afraid to skip a few pages where necessary

Fortunately (spoilers) I enjoyed the fourth book in the series (Wizard Undercover) a lot more.

I also reviewed this book on Goodreads. View all my reviews.


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Witches Incorporated by K. E. Mills – review

This review forms part of my contribution to the Australian Women Writers 2013 Reading Challenge. All my 2013 AWWC reviews can be found here.


Witches Incorporated cover

Witches Incorporated is the second book in the Rogue Agent series by K. E. Mills. You can read my review of the first book in the series, The Accidental Sorcerer, here.

K. E. Mills is a pen name of writer Karen Miller. After I’d read The Accidental Sorcerer, I attended a writing workshop with Miller at the Australian National SF Con. At the end of the workshop she gave away some piles of books in a sort of lucky door prize, and I was fortunate enough to win the rest of the series. Autographed no less. So I guess you could say that I’m reviewing some books I received gratis, but given I won them fair and square I’m not losing sleep over it. Besides, you try elbowing aside some other contestants to make sure you get a particular pile of books – I worked for my loot!

I might leave that last paragraph out of the Goodreads entry. Anyway, back to the review.

Witches Incorporated is set after the events of The Accidental Sorcerer and follows the adventures of Gerald and his friends as:

  1. Gerald completes his secret agent training (to become a “janitor”);
  2. Monk continues his mad inventor schtick for the government;
  3. Princess Melissande, Reg and a new character (Monk’s sister Bibbie) set up a witching locus agency (Witches Inc)

As the title suggests, this book focuses mostly on the last dynamic, with the point of view character mostly switching between Melissande and Gerald. After an interesting prologue with Gerald, the focus of the first half of the book is almost entirely on Melissande and the witching agency.

Melissande’s “promotion” to a primary point of view character is an interesting choice. It certainly gives a different perspective. Melissande is the least powerful (magic-wise) of the characters, and given Gerald’s super-wizard status, this gives us a slightly more relatable character to see the world through. In that way she takes the place of Gerald in the first book, before he came into his powers.

This brings me to one of the issues I had with this book (and with the rest in the series, truth be told)  – just how powerful Gerald has become. The first book had Gerald in the underdog position most of the time, which made him more endearing. From this book onwards, he is (by a long way) the most powerful wizard in the world. It changes his dynamic with his friends and old enemies, making restraint his most strongly emphasised personality trait. Restraint isn’t the most compelling trait in the world. His poorly controlled and understood powers also make for a convenient way for him to get out of sticky situations, without him being fully aware of how he does it.

The plot brings together the at-first-blush-relatively-trivial mystery that Witches Inc  has been hired to solve with Gerald’s first janitorial mission. The story moved along at a fair pace, and the ins and outs of the various bits of industrial espionage and implications for international politics were interesting and kept me reading.

The focus on a broader range  of characters did add to the richness of the world Mills has created. There is a lot of banter and I found the interactions interesting enough, although there was a little bit too much of the Robert Jordan style “women and men don’t understand each other” dynamic for my taste. That’s a minor gripe though.

I really enjoy the world Mills has created – a kind of steampunk powered by magic vibe. The first book focused on a colonial setting, this one was set in the motherland. I liked the extension of the world view, and gaining a better understanding of how the world works.

Overall I enjoyed dipping into this series again, enough so that I continued in my journey reading the remaining books straight afterwards.

Recommended.

I also reviewed this book on Goodreads. View all my reviews.


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Very short flash fiction piece

Hi all. Antipodean SF has been kind enough to publish another one of my flash fiction pieces. This one is a very short piece called Hindsight is a Bitch and it comes in at around 100 words (I said short, didn’t I?).

You can also read it on the ePub or mobi version of issue 185 available at the e-Reader page of the Antipodean SF website.

I originally wrote this very short story for an online competition, but submitted it to Antipodean SF when I inexplicably failed to win. I hope you enjoy.

Have you been keeping up with Galactic Chat?

Sean Wright has been interviewing up a storm lately on Galactic Chat, a podcast that I (too) occasionally help out with.

Since I last posted about Galactic Chat there have been a LOT of new episodes. Sean is an interviewing machine, there is no doubt about it. Interviews have included:

  • Episode 29: Narelle Harris (horror and romance writer) chats to Alex
  • Episode 30: Tansy Rayner Roberts (fantasy writer) chats to Sean
  • Episode 31: Tracey O’Hara (paranormal thriller writer) chats to Helen Stubbs
  • Episode 32: Stephen Ormsby chats to Sean about his new publishing venture, Satalyte Publishing
  • Episode 33: Sean Williams (New York Times best selling speculative fiction writer) chats to Sean
  • Episode 34: Rochita Loenen-Ruiz (Filipino speculative fiction writer) chats to Sean
  • Episode 35: Julia Rios (fiction editor for Strange Horizons, host and producer of the Outer Alliance Podcast) chats to Sean
  • Episode 36: Devin Madson (self published author) chats to Sean

You’ll notice the heavy load that Sean is lifting. I’ve only done two interviews since the podcast was rebooted – both were excellent fun, but I’m going to have to pick up my game!

So, listen, subscribe, comment – the podcast is a ball to do and we’d love to have more audience participation!

If there is anyone in the Australian speculative fiction scene that you’d like to see us interview on Galactic Chat, leave a comment here or on the Galactic Chat website.

Caution: contains small parts by Kirstyn McDermott – review

This review forms part of my contribution to the Australian Women Writers 2013 Reading Challenge. All my 2013 AWWC reviews can be found here.


Caution: contains small parts

Caution: contains small parts by Kirstyn McDermott is the latest in the Twelve Planets series released by  Twelfth Planet Press. It includes the following stories:

  • What Amanda Wants
  • Horn
  • Caution: Contains Small Parts
  • The Home for Broken Dolls

Kirstyn McDermott is an author who I can rely on to produce excellent quality, lovely prose that creeps me the hell out. I’ve liked her earlier work (see my previous reviews of Madigan Mine and Perfections if you don’t believe me) so it will be no shock to anyone to find out that I really enjoyed Caution: contains small parts as well.

All four stories are in a contemporary setting (as is most of McDermott’s work that I’ve read). The horror elements are subtle – no splatter-punk here. These are generally speaking not high action pieces, rather they twist horror tropes to find interesting ways of exploring characters  and merging together the grotesque and the beautiful.

I’m always concerned with describing short story collections/anthologies – often the pieces are too short to describe without giving spoilers. Let me give you the blurb from the book itself.

Caution: Contains Small Parts is an intimate, unsettling collection from award-winning author Kirstyn McDermott.

A creepy wooden dog that refuses to play dead.
A gifted crisis counsellor and the mysterious, melancholy girl she cannot seem to reach.
A once-successful fantasy author whose life has become a horror story – now with added unicorns.
An isolated woman whose obsession with sex dolls takes a harrowing, unexpected turn.

Four stories that will haunt you long after their final pages are turned.

My favourite of the four stories was the titular story Caution: contains small parts. Without giving anything away, it resonated the most with me. I felt closer to the protagonist than in any of the other stories, and found the ending particularly moving.

The first story, What Amanda Wants, is a very strong piece. A strongly realised protagonist and a mystery that felt solid and resolved satisfactorily (with trademark McDermott creepiness).

Horn contained some very visceral writing and again a strongly realised protagonist. This is the story with added unicorns, in case you were wondering.

The final story (more like novella length) is The Home for Broken Dolls. This was probably my least favourite of the book. Don’t get me wrong: it is superbly written, with some well drawn characters and a good arc for the protagonist. However, I found it more intellectually interesting than emotionally engaging. This is probably one of those this-says-more-about-me-than-it-does-about-the-story moments though.

Overall this is another excellent addition to the Twelve Planets series, and a fantastic addition to  McDermott’s body of work. Highly recommended.

I also reviewed this book on Goodreads. View all my reviews.


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The Expanse Trilogy by James S.A. Corey – review

Leviathan WakesAbaddon's Gate

Caliban's War

I first came across the first book of the Expanse trilogy Leviathan Wakes by James S.A. Corey (pseudonym for the collaboration of authors Daniel Abraham and Ty Franck) in a review of one of the later books in the series on the Random Alex website. I have been looking for some good old fashioned space opera, and while Alex’s review of Leviathan Wakes itself was a little underwhelming, I was drawn in by her description of the series as a whole.

The series is made up of three books:

  1. Leviathan Wakes
  2. Caliban’s War
  3. Abaddon’s Gate

I’ve heard a lot of discussions about inside the solar system space opera, but this was my first experience with the trend. I must say I enjoyed the trilogy. For one, I actually went on and read the whole series (rather than putting down the first book and saying “I must get back to that later” as is my usual style). That’s got to be a good sign, right? I think it also came at a time where I needed some reading that was interesting but not too intellectually taxing – this fit that bill quite nicely too.

The characters were relatable (if suffering from perhaps a lack of female perspective in the first book). There was plenty of action, solar system spanning politics, alien intrigue, Rag tag crew, advanced space ship, fighting the forces of oppression etc – all good stuff. I found the exploration of a “realistic” (read “no faster than light travel”) solar system very engaging. The mechanisms used to colonise the planets/moons, the impact of different gravity environments on human physiology and the resultant “race” relations that ensue, the creation of a new frontier society and the ongoing impact of corporations on the expansion into space – these were all interesting themes explored around the edges of the main story.

I enjoyed the plot of the first book, Leviathan Wakes. It was self contained, had a fairly solid mystery at the core and resolved somewhat satisfactorily. The next two books grew grander and grander in their scope, but didn’t seem as tight as the first book.

I read in the latest issue of Locus that the series has been optioned for TV, and I’m not surprised. The books seemed written with at least the possibility of a TV/movie adaption in mind – big ships, big explosions etc. I understand one of the authors is George RR Martin’s assistant in another life – I guess being around that much TV success probably has a way of rubbing off on a person!

I also read a somewhat shorter novella The Butcher of Anderson Station, which tells the story of one of the minor characters of the main series. If you like the novels, this is worth reading – quick and gives more depth to the universe created by the authors. 

Great popcorn reading, well worth the price of admission.

I also reviewed this series on Goodreads. View all my reviews.


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Galactic Chat Interview – Jason Nahrung

Well, my next interview for the Galactic Chat podcast is now up. I interviewed dark speculative fiction author Jason Nahrung. It was an honour to get the chance to interview Jason – I’ve been a big fan of his writing for a long time (you can see my previous reviews of Salvage and Blood and Dust elsewhere on the site).

Jason writes at the dark end of the speculative fiction spectrum, and has a broad and deep knowledge of the horror genre in particular. I’ve spoken with Jason at a couple of conferences, and it was very exciting to capture some elements of those “at the bar” conversations in the podcast.

Jason picked a great reading for the podcast – reminding me of how much I loved Blood and Dust (and making me even more eager for him to hurry up and finish the sequel!

I hope you enjoy the interview and please leave feedback here or at the Galactic Chat website.

 

Show notes follow:

In this episode we Skype in Jason Nahrung, a man who has been called one of the nicest people in the Australian speculative fiction scene, while writing some of its most disturbing fiction.

A penetrating cross-examination ensues on topics far and wide, including his award winning novellaSalvage, his award nominated novel Blood and Dust, what it takes to write on the Melbourne public transport network, whether the modern vampire can be re-fanged, the impact of journalistic skills on self editing and what listeners should read if they want to dip their toe in the horror wading pool.

All this plus the answer to a question that has haunted your interviewer for years – what exactly is a ‘gothic sensibility’?

Jason also does a reading from his latest novel Blood and Dust, where listeners will learn slightly too much about how vampire lovin’ and vegemite can go together.

Jason’s excellent website, www.jasonnahrung.com, is mentioned at the end of the podcast.

Blood and Dust can be found at the Xoum website Blood and Dust

Salvage can be found at the Twelfth Planet Press website 

 

Author Website: http://www.jasonnahrung.com

Author Twitter: @JNahrung

Credits

Interviewer: Mark Webb

Guest: Jason Nahrung

Music & Intro: Tansy Rayner Roberts

Post-production: Sean Wright

Feedback:

Twitter: @galactichat

Email: galactichat at gmail dot com

Redshirts by John Scalzi – review

Redshirts by John Scalzi

Redshirts by John Scalzi is a science fiction piece riffing on the fate of the infamous Star Trek “redshirts” – those hapless crew members that beam down to the planet with main cast members and always seem to die. The book starts by looking at the situation from the crew member’s perspective, as a group of new recruits begin to realise that their superior officers seem to be miraculously surviving while all around them anonymous crew are slaughtered week after week. The rest of the crew has developed survival techniques to ensure that they are never, under any circumstances, selected for an away mission.

There have been a lot of reviews about Redshirts and I’m not going to be able to add anything particularly insightful in this one. It was… OK. Writing was good (better than anything I could have produced). Story was interesting enough. I liked the three codas at the end. It gets very cleverly “meta”. It was… OK.

If the previous paragraph feels like I’m damning the book with faint praise, it is entirely possible that I am. I didn’t hate it, but I was never really grabbed by it. The writing was good, but not compelling. The premise was clever, but in some ways a bit too clever. It seemed to get in the way of a stronger story.

Coincidentally, I watched another “meta” work over the last couple of days – Joss Whedon’s The Cabin in the Woods. I found it interesting to contrast the two works. With The Cabin in the Woods the story seemed to be more strongly embedded, the meta elements woven in a bit more tightly. The Cabin in the Woods is by no means perfect, but it did feel like the story was being put first. Redshirts felt a bit more like the clever conceit was being put first.

Look, this book is up for many awards, and there are a lot of people that love it. It’s a pretty quick read, and is one of those books that has got a lot of “buzz”. I think it might be one you just have to try for yourself – its “meta” elements are different enough that I’m not sure other people’s opinions are as helpful as normal. If you do read it, I’d love to hear your thoughts in the comments section below. I can’t shake the feeling that I might be missing something.

I also reviewed this book on Goodreads. View all my reviews.

Update 3/9/2013:

Redshirts just won the Hugo, further proof that I’m probably missing something!


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