Mistification by Kaaron Warren – review

This review forms part of my contribution to the Australian Women Writers 2012 Reading Challenge. All my AWWC reviews can be found here.


Mistification by Kaaron Warren is an interesting book – very different from anything I’ve read in quite a while. It is one of those books I suspect of having hidden depths and that my meagre comprehension skills means I’ve missed the point of much of the story. So if you read a review which teases out a sensitive and powerful underlying message that makes a profound statement about human nature and our place in the world, pay more attention to that review rather than this one.

And perhaps provide a link in the comments below for me!

Marvo the Magician, grows up hidden in a hidden attic in a house with only his grandmother for company. By sneaking out at night he scavengers enough for them to live on, including a book of magic tricks which he devours.

When he gets older he realises that he also has real magic, the ability to pull “mist” down and reshape people’s perceptions, memories and the world around them. When his grandmother dies he leaves his hidden sanctuary and heads out into the real world.

I found the structure of the novel interesting. It is made up of an overarching story arc with a series of vignettes, small stories by transient characters that serve to illustrate some of the larger themes of the book. It took little while to get into the groove of this style of story telling. At first I found the tangents a little distracting, and I put the book down and picked it up a few times without really getting into it. However, one longer stint of reading when home sick from work helped me pick up the thread and I found the second half of the book much easier to manage.

The novel explores a lot, sexual politics, relationships, fate vs destiny and in particular the baser motivations of human behaviour. The basis of Marvo’s magic is that people need unrealistic hope to survive – that without the mist blurring their perception of the world, everyone would turn in despair to suicide. That’s a bleak message.

In fact the whole novel is quite bleak. Bleak characterisation of people. Bleak message about humanity. Bleak outlook on life. I’m not sure which genre the novel has been placed in from a marketing perspective, but for my money this is a horror novel through and through.

The main character, Marvo, and his companion Andra are complex characters, equal part sympathetic and repellent. The writing is in parts visceral, especially when discussing Andra’s fascination with bodily waste of all kinds. All in all it was very difficult to feel a connection with any character in the book, but that sense of being an outsider actually worked quite well when I sit back and consider the story as a whole.

The ending was good, closing the loop on the questions that were raised throughout the novel and certainly consistent with the characters as they were portrayed.

This is a thought provoking piece of writing. Recommended.

I also reviewed this book on Goodreads. View all my reviews.


Creative Commons License
This work by Mark Webb is licensed under a Creative Commons Attribution-ShareAlike 3.0 Australia License.

 

Aurealis #50 (May 2012)

Issue #50 is the latest issue of the Aurealis magazine, a monthly magazine showcasing Australian speculative fiction and with an emphasis on Australian content and news.

Abode by Patty Jansen kicks off this edition. A science fiction piece, Abode is set in a future where it seems humanity has begun to colonise asteroids and other small bodies through the solar system. It tells the story of Kee, a young woman attempting to build a habitat on an asteroid as well as convince her to-be fiancé’s well off family that they should give away their son’s hand in marriage to her. The world building hinted at in this short piece was very interesting, I’d love to see it explored more in a longer piece. A matriarchal society dominated by clans whose fortunes are linked to the resources they can command. Very interesting piece.

Remembering the Mimi by Jonathan Robb is the second story in this month’s edition and Mr Robb’s first publication. It tells the story of Michael, an emergency ward nurse who is faced with the earthly manifestation of a dying Aboriginal spirit (a mimi) in one of the hospital beds he is looking after. The writing is tight and Mr Robb was able to sketch the feeling of working in an emergency ward with remarkable brevity and an authentic feel. I enjoy stories that explore Aboriginal mythology and this was a good example of such a story handled quite appropriately. I look forward to reading more of Mr Robb’s work.

As always Carissa’s Weblog providing a round up of some of the more interesting articles around on the web in the area of Australian speculative fiction. I’d particularly recommend listening to the interview with Margo Lanagan that she links to – very interesting.

This issue also contained an interview with author Steve Wheeler by Crisetta MacLeod as well as reviews of several recently released books and TV. There is also a rant about the lack of spaceships in science fiction television by Robert N Stephenson. Couldn’t agree more.

Michael Pryor’s short editorial continues the discussion on young readers in speculative fiction. He makes the point that when you look at sales figures for teenage readers, speculative fiction is the largest part of the fiction pie. Perhaps the war for young readers has already been won?

Another very satisfying read, and my inbox tells me I’ve finished this review just in time to start reading issue #51.


Creative Commons License
This work by Mark Webb is licensed under a Creative Commons Attribution-ShareAlike 3.0 Australia License.

Australian Women Writers 2012 Reading Challenge – mission accomplished?

This morning I published my review of Sea Hearts by Margo Lanagan and I realised I’ve read 10 books by Australian women writers in 2012 and published reviews on all 10. And that means I’ve met my revised challenge target – a purist (speculative fiction) at the Franklin-fantastic level (read 10 books, review at least 4).

I must admit it feels good to have met my target. Participating in the challenge has helped me become more aware of the biases in my reading habits, assisted me to more consciously seek out diversity amongst the authors I am following and led me to some cracking good yarns I might not have otherwise come across. Can’t ask for much more out of a reading challenge!

I’m particularly proud of the article on the reading challenge I had published with Antipodean SF, as well as the review of When We Have Wings that Elizabeth Lhuede was good enough to publish on the Australian Women Writers website.

But like the circumstances that surrounded the US President who famously said his mission was accomplished, the challenge doesn’t really end here. I’m hoping this milestone marks the start of a fundamentally different pattern of reading for me. A quick check over my reviews on this website since I started shows me reviewing 16 books by female authors and 14 by male authors. That’s within a margin of error of parity. By this time next year I intend to be able to quote similar statistics.

I’m going to continue with the AWWC until the end of 2012, tagging any reviews of Australian female authors for the challenge. 10 by May – hopefully December will see me at 25 or so.

For those that are interested, links to my first 10 reviews can be found below:

  1. Power and Majesty by Tansy Rayner Roberts
  2. Bad Power by Deborah Biancotti
  3. The Courier’s New Bicycle by Kim Westwood
  4. Above by Stephanie Campisi
  5. A Book of Endings by Deborah Biancotti
  6. Debris by Jo Anderton
  7. Showtime by Narrelle M Harris
  8. When We Have Wings by Claire Corbett
  9. Ishtar by Kaaron Warren, Deborah Biancotti & Cat Sparks
  10. Sea Hearts by Margo Lanagan

Update

Since finishing the initial challenge, I’ve read and reviewed a few more books. I’ll keep updating this post with the additional reviews as they come in so I have a single listing.

Sea Hearts by Margo Lanagan – review

This review forms part of my contribution to the Australian Women Writers 2012 Reading Challenge. All my AWWC reviews can be found here.


Sea Hearts (also published as The Brides of Rollrock Island in the US and UK) by Australian author Margo Lanagan is a powerful exploration of the dynamics of a closed community when put under (magically induced) stress.

After a brief prologue, the story opens from the perspective of a young girl, Misskaella, who is growing up in a small village on Rollrock Island. Unloved and unliked by family and neighbour alike, she grows to resent her whole village. When she discovers she has the ability to draw out selkies from seals, who take the form of women with an unearthly beauty and a strong level of docility, she begins to exact a measure of revenge by accepting payment from men to get a sea-wife for them.

The remainder of the novel tells the story of the impact of that action on the community. It is told from multiple points of view over several generations. One of the effects of this technique was to give a great sense of the timescale over which the story is being told (in this way it was similar in effect to the recent collection Ishtar although over much shorter timeframes).

I struggled to understand the men of Rollrock Island. The desire for beautiful but docile women who keep house and are only in the relationship because they have no choice seems… well seems stupid. So there was a certain satisfaction in watching a society based on that premise slowly disintegrate, that form of relationship critiqued and found wanting. However, where the tale was most powerful was when it showed the impact of such imbalanced relationships on the children exposed to them.

The writing was very poetic and quite lovely. I’ve only read some of Ms Lanagan’s short stories before this, and this novel reinforced my impressions of an author who has a very strong mastery of language.

The structure of the book was very interesting. The changing points of view is a good vehicle for creating rich characters, none more so than the witch Misskaella. Essentially, the novel traces out the arc of her life, from young woman to dying crone but by showing her from different perspectives it allowed the reader a measure of sympathy for someone who otherwise risked being just another evil witch caricature. It lent the novel an air of tragedy instead of being a simple morality tale.

The exploration of the consequences of different forms of ill treatment was also compelling. From Misskaella’s treatment by her family and general community, which led to her revenge by introducing the sea wives, which led to unbalanced marital relationships, which led to tragic outcomes for children – the chain of consequences was profound. It made me want to be a little nicer to people around me.

This is not a novel that is strongly plotted in the traditional sense, more an exploration of character and community. Each part of the story told from a different perspective forms a mini-arc of its own (perhaps reflecting the novel’s origins, growing as it did from a World Fantasy Award winning novella in the X6 anthology from Coeur de Lion Publishing). The overarching story arc requires the reader to either track the fortunes of the whole community or the life of the witch Misskaella. Either unifying thread requires some very satisfying work on behalf of the reader to pull together. This is a story that I kept thinking about for a long time after finishing reading it.

There are hints of a more familiar world away from Rollrock Island, with mentions of London and other cities. These touches gave the story a sense of enchantment just out of reach of the “real” world which were quite effective.

This is a powerful and thought provoking piece of writing. Highly recommended.

I also reviewed this book on Goodreads. View all my reviews.


Creative Commons License
This work by Mark Webb is licensed under a Creative Commons Attribution-ShareAlike 3.0 Australia License.

Ditmar voting – go on you know you want to

Voting in the Ditmars 2012, Australian speculative fiction’s premier voted awards, is still open. Like any awards determined by popular ballot, the more people who vote the better. Voting is open to anyone who is going to the 2012 Natcon (Continuum 8) or went to the 2011 Natcon (Swancon Thirty Six) . If you can’t make it to Melbourne you can purchase a supporting membership to Continuum 8 for $35, which makes you eligible to vote.

I used derivations of the word ‘vote’ too many times in the previous paragraph.

I haven’t read everything on the ballot, but looking through the list I realised that I have reviewed (directly or indirectly) a fair number of the nominations. So, for convenience I thought I’d list out links to my relevant reviews on one handy page.

Note (with one glaring exception) none of what follows should be interpreted as particular support for any story, publication or person. It just happens to be the stuff I’ve looked at.

Best Novel

I’m currently reading The Shattered City by Tansy Rayner Roberts and Mistification by Kaaron Warren. If I finish either before voting closes I will update this blog entry.

Sadly I don’t think I’m going to get to Burn Bright by Marianne de Pierres by the time the voting closes.

Best Novella or Novelette

  • “The Sleeping and the Dead”, Cat Sparks, in Ishtar (Gilgamesh Press)
  • “Above”, Stephanie Campisi, in Above/Below (Twelfth Planet Press)
  • “The Past is a Bridge Best Left Burnt”, Paul Haines, in The Last Days of Kali Yuga (Brimstone Press)
  • “And the Dead Shall Outnumber the Living”, Deborah Biancotti, in Ishtar (Gilgamesh Press)
  • “Julia Agrippina’s Secret Family Bestiary”, Tansy Rayner Roberts, in Love and Romanpunk (Twelfth Planet Press)
  • “Below”, Ben Peek, in Above/Below (Twelfth Planet Press)

I note Ben Peek’s impassioned attempt to climb to the top of the “times nominated but never won” category. It’s too bad really – I liked Below!

Best Short Story

  • Alchemy“, Lucy Sussex, in Thief of Lives (Twelfth Planet Press)
  • Bad Power“, Deborah Biancotti, in Bad Power (Twelfth Planet Press)
  • The Patrician“, Tansy Rayner Roberts, in Love and Romanpunk (Twelfth Planet Press)

Best Collected Work

  • The Last Days of Kali Yuga by Paul Haines, edited by Angela Challis (Brimstone Press)
  • Nightsiders by Sue Isle, edited by Alisa Krasnostein (Twelfth Planet Press)
  • Bad Power by Deborah Biancotti, edited by Alisa Krasnostein (Twelfth Planet Press)
  • Love and Romanpunk by Tansy Rayner Roberts, edited by Alisa Krasnostein (Twelfth Planet Press)
  • Ishtar, edited by Amanda Pillar and K. V. Taylor (Gilgamesh Press)

Best Fan Writer

OK, strictly speaking I haven’t actually reviewed anything in this category but I’m going to mention Sean Wright, for body of work including “Authors and Social Media” series in Adventures of a Bookonaut. I’ve really enjoyed Sean’s writing over the last 12 months.

Of course, everyone else in the category is excellent too. But, you know, go Sean.

Best Fan Publication in Any Medium

While I haven’t done any formal reviews as such, I do describe the podcasts I listen to on my Podcasts page. It includes very brief commentary about the four podcasts on the ballot (The Writer and the Critic, The Coode Street Podcast, Galactic Chat and Galactic Suburbia)

 

Ishtar by Kaaron Warren, Deborah Biancotti and Cat Sparks – review

This review forms part of my contribution to the Australian Women Writers 2012 Reading Challenge. All my AWWC reviews can be found here.


Ishtar is a collection of three novellas, each dealing with the Assyrian and Babylonian goddess of fertility, love, war and sex Ishtar. The book is cleverly put together, with each novella putting the Ishtar character in very different time settings (one in the ancient past, one in contemporary times and one in a dystopian future). This, combined with radically different story telling styles, avoids any continuity issues.

Having said that, the stories do work very well together. While they have obviously been written separately and in completely different styles, there are quite a few shared details that make the collection feel cohesive. Excellent editing must have gone into making this collection work as more than the sum of its parts.

For those who don’t know much about Ishtar mythology (such as yours truly for instance), the collection is an interesting insight into an unfamiliar pantheon. The stories seem very well researched (to the point of having a reference material bibliography at the back of the book for one of the novellas). Those who are better versed in Assyrian/Babylonion lore will probably find a layer of interpretation and meaning that eludes a newcomer such as myself.

In recent weeks the collection has been nominated in the Best Collected Work category for the Ditmars (Australian speculative fiction popular vote award) and in the Best Anthology category for the Aurealis Awards (Australian speculative fiction judged award).

The Five Loves of Ishtar by Kaaron Warren in the first story in the collection. Each of the titular five loves are spread out over a large timescale in ancient history and their stories are told as separate “sub-stories”. Ms Warren uses a third party narrator to describe each of the tales, but makes each narrator from a single family line of washerwomen servants to the goddess. This cleverly allows her to use different voices in telling each of the stories, while still maintaining a sense of connection between them. It also was a very effective in conveying the timescale of the story.

Ms Warren does an excellent job of capturing the mercurial nature of the goddess, and the ancient setting does make the reader feel like they are learning something as well as being entertained. The switch between voices of the very human washerwomen and their insights into the nature of the relationships playing out for the goddess made it much more interesting than if Ishtar or her lovers had been the point of view character.

And The Dead Shall Outnumber the Living by Deborah Biancotti is the middle novella of the collection. Set in modern day Sydney, the story follows a detective, Adrienne Garner, investigating a string of bizarre murders which lead her fairly quickly to a Ishtar worshipping cult.

The style of the story reminded me of some of the stories in Ms Biancotti’s Bad Power. It has a dark contemporary urban fantasy feel. The fantastical elements build in a very satisfying manner from the start of the story. The story moved at a fair clip, with a lot of action occurring (especially in the last third of the novella). This was the quickest read of the collection for me.

The main character, Adrienne, is well drawn and sympathetic. She is obviously very competent and experienced, but has an edge of fragility which makes the reader concerned for her ability to deal with the increasingly bizarre circumstances she finds herself in. The fact that she rises to the occasion makes for a very satisfying character arc.

For readers living in or familiar with Sydney, there are a lot of landmarks called out. Most of the action centres around places most people will recognise regardless of their knowledge of the city (the Harbour Bridge, Opera House etc), but there were also a lot of references to slightly more obscure locations which allows the native Sydneysider to feel knowledgable and slightly smug (which shows that Ms Biancotti knows what that particular target market likes).

And the Dead Shall Outnumber the Living has been nominated for a lot of awards, including Horror Short Story in the Aurealis Awards,  Best Novella or Novellette in the Ditmar Awards and the Novella category in the Shirley Jackson Awards (international award focusing on “dark” speculative fiction).

The collection is rounded out by The Sleeping and the Dead by Cat Sparks. This story is set in the future, after some referenced but not fully explained war that has left the world devestated (some linkages between the novellas are drawn on to leave the reader wondering more about the events at the end of And the Dead Shall Outnumber the Living). Anna is a doctor working in a remote location providing fertility treatments to the increasingly desperate women who survived the devestation (and there aren’t many of them).

Anna hears of a man running an underground facility who may or may not be a former lover. The story of her attempts to find him, and her discovery of more and more about herself and her past, form the spine of this novella.

The story is written in a very different style again from the first two, and this is a very different take on Ishtar. It was very interesting how the details of the dystopian world harken back to the mythology explored in the earlier stories. Without saying too much about the end, there was a feeling of a circle being completed.

Ms Sparks sketches fantastically vivid minor characters with an enviable economy, which added to the ambiance of the novel. The locations were also well realised and suitably hellish for a dystopia. I was particularly partial to some of the imagery when Anna could see visions of the time before superimposed over the wastelands around her.

The Sleeping and the Dead has been nominated in the Best Novella or Novellette category in the Ditmar Awards.

Ishtar was very enjoyable and I can certainly see why it has garnered such praise and award nominations. Highly recommended.

I also reviewed this book on Goodreads. View all my reviews.


Creative Commons License
This work by Mark Webb is licensed under a Creative Commons Attribution-ShareAlike 3.0 Australia License.

When We Have Wings by Claire Corbett – review

My most recent review for the Australian Women Writers’ 2012 Reading Challenge is of When We Have Wings by Claire Corbett. Elizabeth Lhuede, the force behind the Australian Women Writers website, kindly asked me to provide a review for the website. As such, you’ll have to make one click in order to read what I thought about the book – the review can be found on the AWW site here.

Spoiler – I liked it.

 

Edit 2/1/2013:

I’ve decided to include the text of the review here for posterity (and to make sure I also have all my reviews in one place)

When We Have Wings is NSW based author Claire Corbett’s debut novel. This intriguing story is set in an interesting world where genetic manipulation has made it possible for people to have wings surgically integrated with their bodies. It is still relatively early days for this technology, and wings are the ultimate status symbol – only the very rich can afford them.

When We Have Wings

The story is told from the perspective of two protagonists. The first is Peri, a very young woman who has grown up in the country and comes to the city to be a wet nurse for a rich flier couple. She uses the money and contacts that come from her position to pursue her life long dream of buying herself wings. The story opens with the newly winged Peri learning of the death of a fellow nanny and fleeing the city with the baby she is caring for in tow.

The second protagonist is Zeke, an ex-cop and now private detective who is hired by the flier couple to find Peri and their son Hugo. Zeke is middle aged and divorced, with some limited access to his young son Thomas. His ex-wife is pushing hard for Thomas to start undergoing treatments to become a flier, and Zeke’s deliberations about whether to consent form a compelling sub-plot.

The structure of the novel is very interesting, with alternate chapters written from Peri and Zeke’s perspectives. The chapters showing Peri’s point of view are told in third person and read a little like an urban fantasy. The addition of wings, although explained from a scientific basis, give Peri a “power”, and her story has the feel of a person on quest to master that power as well as achieve her stated goals.

Contrastingly, the chapters that tell Zeke’s story are told in first person and read more like a crime novel (with fantastic elements of course). The use of first person, so readily identified with a “gumshoe” story, and highlights this change in tone quite effectively. Both characters are drawn sympathetically and with good depth, which helps draw the reader through a longer than average story.

The first thing that really struck me about the novel was the location. While never explicitly stated, the story felt like it was set in a future version of Australia and the “City” was Sydney rolled forward. I had great fun trying to fit the version of Sydney I walk through each morning on my way to work to that described in the novel. This resulted in a fantastic sense of place with enough detail to feel like a legitimate sketch of a possible future world. The description was cleverly done, in that an Australian reader would take something extra away from the story, but the lack of definitive landmarks makes the story accessible to anyone no matter where they are from.

It was also interesting to read a novel that extrapolates issues like climate change without invoking a dystopia, but rather proposes a more gradual change that humankind has adapted to. Higher water levels, an increasingly tropic climate and the exhaustion of fossil fuels have obviously happened, but not caused the end of the world. This has led to some thought provoking technological evolution as well as some interesting social policy, further extending the city/bush divide that currently exists in Australia.

There were a lot of compelling topics covered in this novel. The dilemmas parents face when deciding whether to intervene to “improve” children were particularly strongly drawn. In the character of Zeke, Ms Corbett did an excellent job of capturing the mindset of many fathers and the concerns of all parents trying to do the best for their children in an increasingly complex world. While we haven’t quite reached the point where we have to worry about whether or not to give children wings, the debate was an effective way of highlighting the increasingly complex choices parents face (e.g. private vs public schooling, extra curricular activities, playing vs learning etc). I felt a lot of empathy for Zeke and the decisions he was trying to work through regarding his son.

But that wasn’t the only issue covered by any stretch of the imagination. The ethics of the wealthy outsourcing more and more of their personal life to the poor, politics making strange bedfellows, the grinding inhumanity that can come from bureaucracy, the horror of human trafficking, divorce and single parent guilt, subtle and patient revenge – this story had it all. In thinking about this review, I started to wonder whether there were too many issues packed in, but when in the middle of reading the book it didn’t seem overly crowded. Ms Corbett did an excellent job layering them all so that they were subordinate to the story, but it certainly did create a lot to think about once my reading was done.

The description of the physical act of flying was very evocative, but lost me a little with the detail. The middle third of the book concentrated a lot on flying and more knowledgeable reviewers have indicated that the detail provided is very well researched. Certainly it all seemed very plausible to me as a lay person. However, with large amount of text dedicated to the description of flight it did feel like the plot slowed down in this part, although someone who has a strong interest in flying would probably not have found this to be the case.

The plot itself was sharp in the beginning and end, and had a mix of sleuthing and just below the surface politics that is very appealing. The mystery at the heart of the story was strong enough to hold everything together. While the novels are very different, the mixture of mystery wrapped in an implied political landscape reminded me a bit of The Courier’s New Bicycle by Kim Westwood, another hugely enjoyable novel that has formed part of my AWWC reading.

In 2011 Ms Corbett spoke on a panel at the NSW Speculative Fiction Festival, where she mentioned that she had worked for the NSW public service at one stage in her career. I was reminded of this when reading her descriptions of some of the bureaucratic organisations in the novel. Having spent a lot of my career working as a public servant, her depiction of these organisations was very authentic and resonated strongly with my own experiences.

Without giving any of the plot away, I will say that this novel has a beautiful ending. The last couple of pages were particularly moving with lovely imagery and generated some strong emotion. The ending was also good from a plot perspective with enough being wrapped up to bring the book to a close, but enough left messy to feel realistic.

When We Have Wings is an excellent debut novel and I am looking forward to reading more of Ms Corbett’s work. Highly recommended.

Star Trek Enterprise: To Brave the Storm by Michael A. Martin

Star Trek Enterprise was one of those TV series I started watching from a vague sense of obligation to the franchise, but came to really enjoy. I was genuinely disappointed when it got cancelled, and due to it finishing “before its time” I found the last season to be very rushed. I had also hoped that later seasons would have dealt with the often mentioned but vaguely described Earth/Romunlan war in the lead up to the establishment of the Federation.

It was with that in mind that I eventually started reading some of the novels that took the series further, including The Good That Men Do, The Kobayashi Maru and the two Romulan War novels, which culminated in To Brave the Storm by Michael A. Martin.

I can only admire the lengths people have gone to in describing why the Kirk era starships seem so much less advanced than this prequel, why Klingons look like humans in dodgy makeup etc – there has been a lot of ingenuity shown through the TV series and books alike. The storyline behind the Romulan War was quite interesting, and reading the books has certainly served to answer a lot of questions raised by the TV series.

The book was written solidly, with a good “back against the wall while fighting a losing battle” plot. I was a little disappointed with the resolution of the war, which seemed to owe more to serendipity than planning, however this didn’t detract from my overall enjoyment of the novel.

Add a star if you always felt Enterprise the TV series ended too soon.


Creative Commons License
This work by Mark Webb is licensed under a Creative Commons Attribution-ShareAlike 3.0 Australia License.

Analog – April 2012 – review

Analog Science Fiction and Fact for April 2012.

The Most Invasive Species by Susan Forest is a very interesting piece exploring the application of human cultural bias onto alien species. With this kind of story there is always the danger of the end result being a little preachy, but a good choice of protagonist and solid story telling allowed Ms Forest to avoid that fate.

Ecce Signum by Craig DeLancey has at its heart a couple of very interesting ideas – an extrapolation of mobile technology to the point where people don’t really even need to speak to each other anymore, and the idea of genetically engineering people to take a longer term view of life on the planet. This was a well written story, with good pacing and an interesting future world painted in enough detail to provide great food for thought. As is my custom, I won’t say anything about the end of the novel except to speculate that the story must have been influenced by the current world obsession with Wikileaks!

I liked the twist in A Delicate Balance by Kevin J. Anderson, and thought the world of the restrictive colony environment was very well realised.

To Serve Aliens (Yes, It’s a Cookbook) by Eric James Stone was very funny. All hail our elephant overlords.

Also in this issue:


Creative Commons License
This work by Mark Webb is licensed under a Creative Commons Attribution-ShareAlike 3.0 Australia License.

SQ Mag – Edition 1 (March 2012) – review

I recently came across the first edition of SQ Mag, an online magazine specialising in international speculative fiction. It is published out of Melbourne by IFWG Publishing and edited by Sophie Yorkston (Editor In Chief) and Gerry Huntman (Publisher and Contributing Editor).

I really enjoyed the fact that this is a magazine focusing on publications from across the globe, although admittedly only English pieces. Each story is tagged with a flag indicating the “style” of English used (American English, UK English, Australian English etc). It will be published every couple of months, and is available in ePub and Kindle formats as well as HTML.

Rationalized by Larry Hodges (Sci-fi) outlined the tale of a group of people attempting to avoid the emotional sterilisation that the human race has imposed on itself. The writing is solid and for a story about lack of emotion, it packs an emotional punch.

Witness by Laura Haddock (Sci-fi) describes an unexpected scientific advance that gives the dead one last chance to have their say. I liked the protagonist and thought the ending was strong.

No Free Parking at Journeys End by Louis Baum (Sci-fi) describes the dangers of being amongst the first to head out into interstellar space when relativity and the possibility of significant technological advance combine.

Also in this edition:

  • Nullus by Michael Edgeworth (Horror)
  • Toxic Sludge by Tom Ribas and Lee Lackey (Fantasy)
  • Book Review: The Night Circus by Erin Morgenstern (Mysti Parker, reviewer)
  • Neighborhood Watch by Jennifer Solomon (Horror)
  • Serial Fiction: Avoiding The Searchers Part 1 by MF Burbaugh
  • Bone Park (Windscreams) by Bruce Memblatt (Horror)
  • Navigator by Shane Ward (Sci-fi)

Creative Commons License
This work by Mark Webb is licensed under a Creative Commons Attribution-ShareAlike 3.0 Australia License.