So… many… award… lists…

Work has kept me a bit busy over the last couple of weeks, so I haven’t had a lot of time to add to the blog. In that time, three different sets of Australian award nominations have come out (in chronological order of release):

  1. 2012 Aurealis Awards
  2. 2012 Australian Shadow Awards
  3. 2013 Ditmars

I’m not going to repeat all the nominations here (follow the links above), but I did want to draw out a few highlights.

Firstly, Kirstyn McDermott and Jason Nahrung have cemented their place as the Australian speculative fiction writing power couple by securing nominations in all three awards. In previous posts I’ve expressed my love for their recent work, PerfectionsBlood and Dust and SalvageAll three appear in this year’s awards, which is especially impressive considering Perfections and Blood and Dust were only released just before Christmas 2012.

Secondly, Sean Wright (or Sean the Bookonaut) is up for several Ditmars in the fan writing/publications sections. Sean is an excellent contributor to the Australian speculative fiction scene, made even more impressive by the fact that he does it all from a secret (1) rural South Australian location with dodgy internet connections. If you’ve not come across his work before, it is well worth your time to track down his site and podcast.

Thirdly, Antipodean SF (who published a few of my flash fiction pieces last year) are up for best fan publication in the Ditmars. It is amazing how many established writers I talk to who say “Oh, yes – Antipodean SF is where I got my first story published”. Ion Newcombe is an excellent editor and generous contributor to the Australian speculative fiction scene. If you’ve never seen Antipodean SF, I’d encourage you to check the site out. (2)

Finally, I really enjoyed Kaaron Warren‘s collection Through Splintered Walls last year. I can see the stories from this book (and the collection itself) sprinkled all through these awards list. A fantastic book, well worth checking out.

I’ve decided that after I’ve finished my current reading, I’m going to make a concerted effort to plug some of the gaps in my Australian reading using these award lists as a guide. What about you? Have you read much of the work doing the rounds in this year’s awards season? Anything stand out?


(1) The secret thing may not be entirely factually accurate

(2) I help out preparing the e-Book edition of Antipodean SF each month, so I’m not entirely without bias here.