Steelheart by Brandon Sanderson – review

Steelheart cover

Brandon Sanderson is fast becoming one of my favourite “popcorn” authors. I first came across his work (like many others) when he was selected to finish the Wheel of Time series, but he has fast become a strong name in the genre in his own right. I find his books to be real page turners, if running somewhat long at times. It’s nice to have a more modern and sophisticated version of the big, fat fantasy’s I used to enjoy through my teenage years.

Given all this, I was interested to see what Sanderson would do in turning his attention to the young adult market. Steelheart is set in a world where a small percentage of the population has gained super powers, and the result has not been pretty. The super-powered (Epics) tend towards using their powers for evil instead of good, selfishly building little empires in the ruins of America.

The protagonist watched his father killed by one of the most powerful Epics of all, the Steelheart of the title. Fast forward several years, and the now 18 year old David is out for revenge and is attempting to join up with the Reckoners, a shadowy group leading a rebellion of sorts against the Epics.

The plotting and pace of the book is very good, and as is normally the case in Sanderson’s work the world-building is detailed, consistent and filled with cool ideas. In a lot of ways the Epics remind me of the Aces in the Wild Card series of books from the 80s/90s, with unique and interesting powers but much more structured/classified in Steelheart.

I had the same problem I have with a lot of YA novels – as I get older I find it harder and harder to sympathise/empathise with the teenage protagonists. Unsophisticated, black and white views of the world. Moral certainty. Boundless energy. All these things are reasonable representations of a teenage mindset, but they grate on me.

Along the same lines, the protagonist was just a little too perfect for my taste. Problems get resolved a little too easily. Insight into other character’s motivations come a little too effortlessly.  New skills are picked up a little too quickly.

But having said that, there are some really cool ideas in this book, excellent action scenes and fantastic use of foreshadowing so that the end, when it comes, leaves you with that good sense of “oh yes, I should have seen that coming”. There were enough clues (and red herrings) to make it an enjoyable read.

I won’t be lining up in front of any bookstores to get the sequel, but I will probably read it. Recommended to YA fans who love evil super heroes.

I also reviewed this book on Goodreads. View all my reviews.


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This work by Mark Webb is licensed under a Creative Commons Attribution-ShareAlike 3.0 Australia License.

Reading stats for 2013

Inspired as always by Sean Wright, where he shows his reading stats for the world to see, I’ve decided to do the same again this year. In 2012, I made a lot of rash claims about what I would do in 2013 reading wise. I met very few of those claims. And I quote:

  • Claim 1: “I am really looking forward to Perfections by Kirstyn McDermott, Blood and Dust by Jason Nahrung and Quiver by Jason Fischer. They are all loaded up on the Kindle ready to read and get my year off to an Australian start. “

Well OK, yes I did this one. And they were all brilliant (see my reviews of PerfectionsBlood and Dust and Quiver).

  • Claim 2: “I also should mention the last volume of the Wheel of Time series is coming out in a few days. I started reading this series when I was a teenager and now sheer bloody mindedness is keeping me going. Having said that the last three books did lead me to the writing of Brandon Sanderson and I do quite like his work. But mostly I just need to see how the damn thing ends.”

OK, I did that one too. Finishing The Wheel of Time series has removed a weight I didn’t know I was carrying around. I’ve also determined that I won’t need to read the series again until I retire and am scratching around looking for ways to fill the empty void that my life will probably become. Or something.

  • Claim 3: “I’m also hanging out to see what Deborah Biancotti does next. Given how much I’ve enjoyed all her work so far, I don’t even really mind what it is that she writes, but I am secretly hoping for something longer set in the Bad Power universe.”

She didn’t publish anything! Well, not anything in the long form. She did announce the publication of a novella, but not until 2015. That’s a long time to wait, Ms Biancotti. A long, long time. So, not done but not my fault.

  • Claim 4: “I’ve just received the Library of America 1950s Sci-Fi collection curated by Gary K Wolfe – I think there are 9 novels in there, which will constitute the “learning more about the history of the genre” phase of my reading this year.”

Yeah, I didn’t read a single one of those novels. They look very nice on my bookshelf though. I know Gary is a huge reader of this blog (*) so my apologies. 2014 is the year of improving my SF reading credibility – promise!

  • Claim 5: “I’m currently rethinking my short story approach, but I will look to read Jonathan Strahan’s Best of the Year for 2012 to catch up on the good quality short fiction from 2012 that I missed. I’m also considering committing to Strahan’s Eclipse Online series of short stories which I think is an excellent forum.”

Well, I bought Jonathan Strahan’s Best of the Year for 2012. Does that count? Short fiction reading went the way of the dodo for me this year. I kept up with Aurealis (barely) and that was about it. My Kindle mocks me with oodles of back issues of Analog, Asimovs, Clarkesworld, Lightspeed etc, which I’ve only dipped into sporadically and randomly. 

  • Claim 6: “There are quite a few “must read” books from 2012 that I haven’t actually read yet (e.g. 2312 by Kim Stanley Robinson)”

I did actually manage this, in the dying gasps of the year. And pretty much only 2312 by KSR. I can’t even remember what the other “must read” books of 2012 were.

  • Claim 7: “I also intend to have read the Ditmar and Aurealis Award short lists before the respective award ceremonies, especially so I can vote intelligently in the Ditmars.”

Yeah, I didn’t do that. And frankly, I was a bit silly for even suggesting I would. There are a LOT of works published in Australia each year.

  • Claim 8: “In 2012 I completely failed to read the Hugo short list. I intend to fail to do so again this year.”

Nailed it! As promised, I completely failed to read the Hugo short list in 2013.

So, given all that failure, what did I read? 

  • Total number of books read: 26 (down from 42)
  • Total by female authors: 13 (50%) (down from 60%)
  • Total by male authors: 12 (46%) (up from 40%)
  • Total by a mix of authors: 1 (4%)
  • Total by Australian/New Zealanders: 17 (65%)

While I was happy to be focusing on the greater Australiasian region, in going back over my admittedly small sample of books read, I didn’t read anything outside of the North America/UK/Australia/NZ block in 2013. And that is really disappointing.

Looking back over my Goodreads reviews, my 5 star reviews included two books by Kirstyn McDermott (Perfections and Caution: contains small parts), The Corpse-Rat King by Lee Battersby, Black Glass by Meg Mundell and Blood and Dust by Jason Nahrung. So, I guess that constitutes my reading recommendations for the year that was (and early 2014 5-star review went to Bloody Waters by Jason Franks, but I shouldn’t spoil next year’s reading post too much!).

The 2013 Australian Women Writers Challenge was another source of inspiration for reading this year, and I’m pleased to say that I made it to my goal. I’ve signed up again for 2014 – if you haven’t already, then check it out.

What else for 2014? Well, if 2013 has taught me anything it is that making rash predictions is a mugs game. But I’d like to get to that “history of the field” reading I mentioned in last year’s blog. And I’d like to read more fiction from non-North American/UK/Australia/New Zealand sources. And I really do need to keep up with those Best of the Year books. THESE ARE NOT PREDICTIONS. Just statements of desire.

What did you read that tickled your fancy in 2013? What’s coming up in 2014 that you absolutely cannot wait for? Tell all in the comments below.

 

(*) This is what we call in the industry “a lie”. Gary K Wolfe wouldn’t be seen within 5 kms of this blog! Well unless he is very lost. Or has a Google alert on his name. In which case: hi!

Tea – the Australian way

I was reading Chuck Wendig’s blog last night, where he appealed to his reader-base to help him learn how to make a good cup of tea. I don’t often dive in and leave a comment, but I’ve been thinking a bit about this topic recently and felt compelled to put down my thoughts.

A reproduction of my comment on Chuck’s blog follows. The three main purposes of this post are:

a. I liked my response and wanted to preserve it;

2. I thought of a couple of edits about 1.5 nano-seconds after I clicked submit on the comment; and

gamma. I was interested to see if anyone violently objected to my tea making style.

I get my loose leaf teas from T2. I generally prefer the stronger black teas (English Breakfast, Irish Breakfast, Morning Red) for the morning, a lighter black tea (Assam, Darjeeling) for the afternoons. I have these kinds of black tea with milk and sugar.

If making a pot of tea:

1. Pour hot water in the pot first to warm it up. What, are you going to make tea with a cold pot? Work on those barbarian tendencies.

2. One teaspoonful of tea per cup plus one for the pot (i.e. if the pot is big enough to pour out three cups of tea, put in 4 teaspoons of tea). I don’t know why the pot insists on its own extra teaspoon of tea. It just does, OK? Maybe it was a middle child.

3. Water as close to boiling as possible when you pour it in. You want to be standing by the kettle, so that when it starts to whistle or goes bing or plays the Lithuanian national anthem or whatever it does when the water is boiled, you can immediately snatch it up and pour that angry, restless water into the pot.

4. Steep for about 3 or 4 minutes. Don’t be tempted to steep longer, the tea starts to get bitter. That sounds obvious, but you’ll want to steep it for longer. You’ll say “my tea must be strong, strong like me.” You might even feel the urge to beat your chest. Resist. Over-steeped tea tastes like arse. Bitter, bitter arse.

5. If I’m pouring a cup of tea from a pot, I prefer to have the milk and sugar already in the cup before pouring. I recognise that this is a hotly debated step in tea circles. Seriously, amongst tea aficionados you could lose yourself for days in discussion about tea/milk/sugar order. Actually that brings me to my number 1 tip: avoid getting into a discussion about tea with tea aficionados.

Oops.

6. Of course your cup was warm before you poured in the tea right? Did you learn nothing from step 1 above? Sigh.

7. If you’re going to attempt to preserve the remaining tea in the pot for a second cup, remove the leaves. Some prefer to go through a complicated process involving a moonshine still, a magical straining handkerchief woven from the hairs of a pixie and three guinea pigs turning a hamster wheel for power, but I bought a teapot with a removable strainer built in. Six of one…

8. Enjoy!

Tea bags:

If you are stuck in a post-apocalyptic icy wasteland, where all that remains for sustenance is cockroaches, tinned peaches and tea bags, the order is slightly different. Note that this scenario is one of only two circumstances in which you should use a tea bag of your own volition. Laziness is the other.

1. Still warm the cup. You might be fighting for survival against the worst scum that post-apocalypic {insert country of choice here} can offer, but that doesn’t mean you should abandon all sense of propriety.

2. Water still as near to boiling as you can make it. If the lack of modern conveniences that come from the fall of civilisation means you no longer have your Lithuanian-national-anthem-playing kettle, stick your finger in to gauge exactly the right moment (*). You’ll thank me later.

3. For tea bags, do not, I repeat do not, put the milk and sugar in first. Why? The answer to that is so obvious I refuse to insult your intelligence by explaining further.

4. Steep for 3-4 minutes, or as long as you can hold off the radioactive, mutant cockroaches.

5. Remove the tea bag immediately. If you got the temperature of the water right, you could even use the bag as a makeshift sling shot to hold off the hordes that are, as we speak, descending on you in order to steal your near-perfect cup of tea.

6. Add milk and sugar to taste. I like to add just enough milk that you can see it cloud up just below the surface of the tea, like the mushroom cloud that started you on this non-tea-leaf-journey-to-hell to begin with.

7. Stir anti-clockwise or clockwise as your hemisphere dictates, and sip gently. It is traditional at this point to burn your tongue on the first sip, ruining the rest of the tea experience, but that should not be considered compulsory.

For green tea:

1. Exactly the same as above, but no milk and no sugar. Oh, OK you can add a little bit of sugar if you want to. I’ve been known to. But for the love of your favourite deity, don’t tell anyone. There are few social faux pas greater than mentioning to a green tea drinker that you’d like a little sugar in your cup.

2. For the purposes of milk and sugar, any royalty associated with the Grey family should be treated as green tea (i.e. Lady Grey, Earl Grey etc).

Miscellaneous:

1. Sugar should be those misshapen lumps of refined and raw sugar that you see in your fancier cafes. I think the feeling of superiority that comes from using them actually makes the tea taste better.

2. If a cafe brings you a tea bag for the cup of tea that costs exactly the same as your friend’s cup of coffee, NEVER GO TO THAT CAFE AGAIN. Even if it is the only cafe still standing in your post-apocalyptic world.

3. I’ve tried lemon. I’ve tried honey. I don’t care for either. So they’re not going to make an appearance in this post.

 

Right, so that’s it from me. What about you? Are you currently frothing at the mouth as you consider my blasphemous tea making way? Let fly with both barrels. Have the perfect way of making a cuppa, handed down from father to daughter over many generations? Spill the secret.

 

(*) My legal advisors tell me that recommending this step is not sensible and that I should tag it with an appropriate caution. WARNING: sticking any body part into boiling water is likely to cause pain.

Bloody Waters by Jason Franks – review

Bloody Waters

Bloody Waters is the first novel of Australian author Jason Franks (better known for his work with comics and graphic novels). It was nominated for the Aurealis Award for best horror novel in 2012.

The blurb according to Franks’ website.

When guitar virtuoso Clarice Marnier finds herself blacklisted she makes a deal with the devil for a second chance. Soon Clarice and her band, Bloody Waters, are on their way to stardom… but cracking the Top 10 is one thing; gunfights with the Vatican Mafia and magical duels quite another. Clarice is going to have to confront the Devil himself – the only question is whether she’ll be alive or dead when it happens.

I really enjoyed this novel. The style was very different to a lot of the horror I’ve been reading recently, with a clarity and deceptive simplicity that really suits the story. The protagonist, Clarice, is a no nonsense, kick arse kind of person, and the writing reflects that attitude.

The supernatural elements of the story build slowly. For the first little while, the book seems focused on the utterly un-supernatural rise of Clarice. She is a guitar god, who gets her skills from years and years of borderline obsessive practice . She sacrifices her free time and all semblance of a social life on the alter of her talent. It is refreshing to see the hard work needed to master any skill being reflected so effectively on the page. This section is well executed, but I can see that if a  reader wanted all horror all the time they might get a little impatient here. Stick with it – the work done here to establish Clarice pays off handsomely later in the book.

Clarice herself is an excellent central character. “Doesn’t play well with others” would be an understatement. Clarice is rude, tactless and doesn’t take crap from anyone. She has a clear vision of what she wants, and anything that gets in the way does so at its own peril.

This single minded attitude helps with the building of guitar skills, but not with much else in the musical world. When she becomes black listed by record companies, the supernatural enters her world when a deal with the devil is needed to kickstart her band’s career.

The book is filled with rock and roll references. To be honest, I’m not intimately familiar with rock and roll lore and I suspect a more knowledgeable reader would get more out of those aspects. But it is not overplayed – there is no rock and roll entrance exam needed to enjoy the book!

The escalating series of supernatural encounters had a balance of kick arse action and absurdity that appealed to my sense of humour. The pacing of the story was good through this section, moving from one skirmish to the next at a fair clip.

I really enjoyed the ending, as in many “deal with the Devil” tales, the Devil plays a crafty game and it isn’t until the very end that you find out what’s been behind all the events. The resolution felt fresh, without a cliche in sight.

I can see why Bloody Waters was nominated for the Aurealis Awards. Highly recommended – especially if you love rock and roll.

I also reviewed this book on Goodreads. View all my reviews.


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2312 by Kim Stanley Robinson – review

2312 by Kim Stanley Robinson

2312 was one of the big science fiction releases of 2012, but given my horrendous backlog of reading I didn’t quite get around to reading it. As 2013 came to a close, and still hearing it talked about, I thought I better include it in my catch up reading binge.

Humanity has spread through the solar system, but not to the stars. The plot follows several different characters in what first appears to be a bit of a murder mystery, but quickly extends into a solar system spanning conspiracy.

I’ve read a few reviews of 2312 and I don’t know that I have anything particularly new or startling to add to the dialogue. Frankly, I found the plot to be almost of secondary consideration. As the characters moved around the solar system, I was almost more excited to read about how humanity had tamed the planets. None of the characters were particularly compelling/engaging for me, but still the book kept me hooked.

The treatment of gender was fascinating, and handled quite subtly. Robinson postulates a solar system where gender issues have been rendered largely secondary. Rather than making heavy handed comments on the nature of equality, he just shows the world as it is. No one comments on gender-parity issues, because there are no issues to talk about. The description of a equal world happens between the cracks, building over the course of the novel and best enjoyed in retrospection.

The sheer engineering gumption that it takes to populate the solar system is impressive. A rolling city that crosses Mercury staying constantly in the temperate zone, hollowed out asteroids spun up to create gravity and containing an astonishing array of plants, animals and societies, the timescale involved in terraforming Venus – it is all fantastic stuff. People talk about the book evoking that old school “sense of wonder” – I can now see what they were talking about.

Robinson uses multiple points of view effectively, fleshing out the universe and showing key characters from multiple points of view, highlighting their flaws and making them more three-dimensional (and in some cases less reliable narrators when their turn to be point of view character comes around again).

In summary, it won awards and excited great comment. It’s well worth the read. It’s long. It can be a bit dry in places.

I also reviewed this book on Goodreads. View all my reviews.


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Writing – a 2013 recap and 2014 plan

My 2013 writing year was a hit and miss affair. I had two flash fiction pieces published at Antipodean SF (The Regersek Zone and Hindsight is a Bitch). Nuke at Antipodean SF has been a great supporter, and I was very pleased to get a couple of pieces done for him.

This year I decided to put my novel writing on hold and focus on a few shorter pieces, to try and get more “end to end” experience of writing something. The result was four pieces in addition to the published two above:

  • 11,000 word fantasy piece that I’m still tinkering with called The Reclaimers.
  • 5,000 word I guess you’d call it urban/modern rural fantasy short story called Showdown.
  • 4,000 word science fiction piece called Wefting the Warp.
  • 600 word flash piece called Learning and Development.

I like all four, but it is fair to say that I have accumulated a lot of rejections on the last three so I don’t think that feeling is shared in the broader publishing community! Still, I’m very happy to have finished some pieces.

2013 was a difficult year work wise and with a few family issues, so my writing fell away a lot, especially towards the end of the year. I wasn’t writing regularly enough and it became more and more difficult to pick up a pen or a keyboard and start typing. Genrecon came along and gave me a good kick in the backside and I’ve had a few weeks off over Christmas to hopefully do some battery recharging. Given I’m going back into work I figure I’m as recharged as I’m going to get, so I’ve decided on the following for 2014:

  1. I don’t like telling people I have 2/3rds of an awful first draft of a novel. It’s a bit embarrassing. I’ve decided that I want to tell people that I have a full crappy first draft of a novel. Getting that last third of the novel out onto paper is a now a goal.
  2. I’m going to rest my short stories for a couple of months and come back at them with fresh eyes. Given the feedback I’ve been getting they are just not good enough but I think I need a little distance before I can pull them apart effectively.
  3. I need to be writing more regularly. I’ve worked out that writing longhand, if I write one page in the notebooks I like to use it equates to about 100 words. I’ve set myself the goal of writing at least one page every day, even if it means staying up a bit later of an evening to do so. As is often the way, one page often turns into 2 or 3 or 10, but I think I’m going to have to keep this “slow and steady” approach or I’m never going to get anywhere.
  4. I’d like to try and get involved with the right writing group – somewhere where I can get feedback of course but also get more of a support network for my writing. Fitting something like a writing group in around my family and work commitments is difficult, but it is something I’d like to make time for. I’ve had some great support from some individual writers out there as well and I’d also like to continue to build that network.
  5. Assuming all this goes to plan, the back half of the year I’d like to spend time editing my crappy novel first draft into a slightly-less-crappy-but-still-crappy second draft.
  6. I enjoy writing the shorter pieces, so I’m hoping a couple more flash fiction stories might find their way onto the Antipodean SF website during the year.

Now, by writing all this down and putting it into the public domain I’m hoping I can embarrass myself into actually following through. So, if you see me around the traps feel free to ask how things are going. If I look shifty and try to distract you by asking if that is Elvis Presley in the corner, you’ll know things aren’t going so well!

2014 Australian Women Writers’ Reading Challenge

If you’re looking at my blog more generally, you can probably tell that I’m in catch up mode for finishing off my 2013 reviews for the Australian Women Writers’ reading challenge. Given I’m focused on the challenge today, I thought I’d also announce my intention to give it a whirl again in 2014.

awwbadge_2014

 

Once again I’ll be trying the Franklin level – read at least 10 books, review at least 6. And this year I’ve given particular consideration to trying to extend my reading beyond speculative fiction. My heart has warmed as I’ve read of others that have expanded their horizons, and reaped the rewards of an enhanced and more nuanced view of the world. People have almost uniformly announced that they are better people for reading more widely, and it has been pointed out to me that I should take any opportunity to be a better person. I’m working from a fairly low base.

But bollocks to that – I’m lucky to find any time at all to read, and I’m always feeling guilty that I don’t keep up with all the releases in the speculative fiction field. I don’t want to feel guilty across multiple genres. And besides, being a better person is overrated.

So, Franklin level is the name, and speculative fiction is the game. I’ve got quite a few books that I didn’t get to in 2013, plus a lot of new releases and old series I’m looking forward to getting stuck into.

Interested in participating in this year’s challenge? Go to the 2014 challenge website and sign up. You won’t regret it. (*)

 

 

(*) Musing of a Wannabe Speculative Fiction Writer cannot guarantee a 100% absence of regret for any activities advocated on this site.  I’d put this in the low 90s though.

 

2013 Australian Women Writers’ challenge – wrap up

Well, another year another Australian Women Writers’ challenge.

The 2013 Australian Women Writers’ Challenge was another great experience. Challenging the lack of critical attention for Australian women authors is a worthy cause and once again I had the chance to expand my exposure to interesting authors.

In 2013 I undertook the Franklin challenge (read 10 books, review at least 6) and all those books were in the speculative fiction field.

2013 was not a great reading year for me – I did not get through many books at all. However I was able to meet my challenge goal, with reviews posted for the following books:

  1. Perfections by Kirstyn McDermott – complete: review here
  2. A Trifle Dead by Livia Day – complete: review here
  3. Suited by Jo Anderton – complete: review here
  4. Dark Space by Marianne de Pierres – complete: review here
  5. The Interrogation of Ashala Wolf by Ambelin Kwaymullina – complete: review here
  6. Black Glass by Meg Mundell – complete: review here
  7. The Accidental Sorcerer by K. E. Mills – complete: review here
  8. Asymmetry by Thoraiya Dyer – complete: review here
  9. New Ceres Nights edited by Alisa Krasnostein and Tehani Wessely – complete: review here
  10. Caution: Contains Small Parts by Kirstyn McDermott – complete: review here
  11. Witches Incorporated by K. E. Mills – complete: review here
  12. Wizard Squared by K. E. Mills – complete: review here
  13. Wizard Undercover by K. E. Mills – complete: review here

Highlights for me included Perfections by Kirsten McDermott (I’m a big fan of her work) and discovering the New Ceres shared world project (that was undertaken several years back). There were quite a few books that I’d planned to read in 2013 that I’ll have to carry forward to 2014 (including Bluegrass Symphony by Lisa L. HannettThe Ambassador’s Mission by Trudi Canavan, Bitter Greens by Kate Forsyth and Winter Be My Shield by Jo Spurrier to name a few).

I’ll be supporting the 2014 challenge (stand by for my commencement post) and I’d encourage everyone to pick up a speculative fiction book by an Australian Women author and give it a go.

Wizard Undercover by K. E. Mills – review

This review forms part of my contribution to the Australian Women Writers 2013 Reading Challenge. All my 2013 AWWC reviews can be found here.


Wizard Undercover

Wizard Undercover is the fourth book in the Rogue Agent series by K. E. Mills. You can read my review of the first book in the series, The Accidental Sorcererhere,  my review of the second book, Witches Incorporated, here. and my review of the third book, Wizard Squared, here. Those reviews cover a lot of my general thoughts on the world building and general background, so I’ll keep this review shorter and focused on the plot of this  book.

In Wizard Undercover, Gerald and his friends are sent in undercover to a royal wedding in another country to uncover a plot to sabotage the event and cause international strife.

This book brought together a lot of the strengths of the first few books. The plot is fun and engaging, with enough twists and turns to keep the reader interested. It is more of a straight out spy story, and is better for it.

While there is still an element of Gerald’s powers saving the day in an entirely unpredictable and convenient way, this is significantly de-emphasised compared to the previous books and indeed the smaller instances serve to advance other plot points.

In this book, Gerald’s inexperience as an agent is his biggest handicap. It is all very well bringing the biggest gun to the party, but if you don’t know who to shoot you are still rendered somewhat ineffective. Wizard Undercover treads that line much more adeptly than the last two books.

The character interactions felt more natural and polished as well, which adds to a richer reading experience.

Thoroughly enjoyed this book, and on the strength of it am eagerly awaiting any further instalments in the series.

Highly recommended.

I also reviewed this book on Goodreads. View all my reviews.


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Wizard Squared by K. E. Mills – review

This review forms part of my contribution to the Australian Women Writers 2013 Reading Challenge. All my 2013 AWWC reviews can be found here.


Wizard Squared cover

Wizard Squared is the third book in the Rogue Agent series by K. E. Mills. You can read my review of the first book in the series, The Accidental Sorcererhere and my review of the second book, Witches Incorporated, here. Those reviews cover a lot of my general thoughts on the world building and general background, so I’ll keep this review shorter and focused on the plot of this third book.

Wizard Squared is essentially a parallel reality story. In The Accidental Sorcerer, the protagonist (Gerald) makes certain noble decisions to resolve the plot. In Wizard Squared, the author postulates an alternate world where Gerald made other, less noble decisions and as a result warped himself into an evil sorcerer.

I thought this plot had a lot of possibilities, and was looking forward to reading the book. However, I wasn’t taken with the direction it went in. In some ways I am guilty of wanting a different book than the one the author wrote, which isn’t really fair.

The first section of the book retells the ending of The Accidental Sorcerer, but with the alternate ending. This went on for quite a long time – it almost lost me to be honest. I did wonder whether this kind of backstory might have been woven into the plot a little more seamlessly (and briefly).

Perhaps as a result of the extensive introduction, the rest of the story felt rushed and didn’t broaden the readers view of the world Mills has created as much as the previous two books. This was disappointing.

Evil Gerald was a little too “moustache twirling” for my tastes. He had gone completely and utterly bonkers, and because the conversion to cartoon evil was so complete, it was hard to summon the “there but for the grace of god” type feeling I think the reader was supposed to have. I think there was an opportunity to portray a more subtly evil Gerald, which would have made some of good Gerald’s decisions more complex and morally ambiguous.

I mentioned this in the review of Witches Incorporated, but the use of Gerald’s wild and unpredictable powers to resolve plot issues irked me particularly in this book. None of the character’s actions have much impact – Gerald’s power did most of the work. And his powers were not particularly under his control. So really, things worked out via luck more than anything else. I found this slightly unsatisfying.

As a stand alone book, I’d have trouble recommending this one. If you are enjoying the series overall (which I am), there is enough character progression to warrant reading, but don’t be afraid to skip a few pages where necessary

Fortunately (spoilers) I enjoyed the fourth book in the series (Wizard Undercover) a lot more.

I also reviewed this book on Goodreads. View all my reviews.


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This work by Mark Webb is licensed under a Creative Commons Attribution-ShareAlike 3.0 Australia License.